Lennart Meri Quotes
Quotes to Explore
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We must never forget that Black History is American History. The achievements of African Americans have contributed to our nation's greatness.
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Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
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There's an interesting contrast between born Catholics and converts. Converts are often much more rule-directed. Catholicism isn't something that they breathed in from their childhood, so they think that if you don't toe the line on abstract doctrine you can't be part of the Church.
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I cannot be much pleased without an appearance of truth; at least of possibility I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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Our own CIA has a storied history of interfering in elections. In the late '40s, we shoveled cash into France and Italy after World War II to defeat the Communists who had been part of the wartime resistance to the Nazis and Fascists.
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Anyone who knows anything of history knows that great social changes are impossible without feminine upheaval. Social progress can be measured exactly by the social position of the fair sex, the ugly ones included.
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In my generation, history was taught in terms of grand figures, men on whom the destiny of the nation hinged, quintessential heroes.
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I believe that we must maintain pride in the knowledge that the actions we take, based on our own decisions and choices as individuals, link directly to the magnificent challenge of transforming human history.
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If you gonna challenge my ways, know my history. Don't put nobody in my face that don't know about me, or they here to write an article on someone they thought was hot when they was hot. Come on, man. I been hot.
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I understand entertaining. You want people to walk out saying, 'I spent a night with interesting people.'
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
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A girl who is interesting and educated and can spark conversation - I find that extremely sexy.
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I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.
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My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
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I'd spend every summer in Longview on my grandfather's farm. It was a tiny little town divided by a river, which was the segregation line: that side white, this side black. And meanwhile, I lived in Compton - basically, another whole world sealed into 10 square blocks. It's interesting how insular an environment can be.
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When I do outdoor scenes, I tend to find a quiet space where I can sit and carve a walking stick that can turn out to be interesting for me.
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Yet, history has shown that if material force can defeat some ideologies it can no longer obliterate a civilization without destabilizing the whole planet.
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My childhood was spent with dogs, and I work with dogs surrounding me. This relationship is hardly unique - man-and-dog stories date back to ancient history, up to 10,000 years ago - but it feels that way to me. I used to have a love-hate relationship with dog stories because some got the dynamic right but most were dead wrong.
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I've worked so hard to eliminate the inner geek from my life. I suddenly realize I have no patience for those people who still have their geeks showing. Now I see why being 'normal' has been so important to me.
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Most of the most successful films Blumhouse has made have been rejected by everyone else. No one wanted to make 'Get Out.' Nobody. Nobody wanted to make 'The Purge.' I think it was floating around for three years before it came to us. Nobody wanted to make 'The Gift,' when it was a script called 'Weirdo.'
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And my mother caught wind of this. She never had really tried to guide my career or really had any say in my life as an adult, but this was the one time she said she would never speak to me again if I quit acting.
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History is more interesting than politics.
