Sam Jaeger Quotes
I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
 
					Quotes to Explore
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	For Eid - or Raya, as the Malaysians call it - we love to shop for new clothes for the festive season. There will be open houses to go to, and Malaysians love to look good for these.   
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	But the process of making a film is not glamorous. Certainly not my films.   
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	Film has to describe and show.   
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	I second-guess myself all the time. I make a decision and then wonder if I made the wrong choice.   
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	I don't sleep enough, and it does... what is the opposite of wonders... horrors. It does horrors for my skin.   
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	What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'   
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	It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll.   
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	Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.   
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	I'm not that good a player, and I'll be the first to admit that. I might be a three or four grand-slam winner; I might be a two grand-slam winner, I don't know.   
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	If you really want to know what Middle-earth is based on, it's my wonder and delight in the earth as it is, particularly the natural earth.   
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	Sometimes, you're going 24 hours a day, seven days a week for a few months, and then you come home, and you wonder what you're doing with your life and why. At least, that's the experience I've had.   
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	The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.   
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	You have to feel good in what you're wearing; if you don't feel good it's not going to look good. You ever see someone wear something that's crazy and say, 'That's so crazy!' But they look good in it, because they feel good in it - you can just tell.   
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	It was a good 15 or 20 years before anyone at Rand would be in the same room with me. They didn't want the question raised, 'What's your relationship with Daniel Ellsberg?' And not one of them wrote me a letter because they didn't want a letter of theirs to show up in my trash - which the FBI had been going through.   
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	When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.   
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	The 'democracy gap' in our politics and elections spells a deep sense of powerlessness by people who drop out, do not vote, or listlessly vote for the 'least worst' every four years and then wonder why after every cycle the 'least worst' gets worse.   
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	Hollywood is where they shoot too many pictures and not enough actors.   
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	My short game's not that good. It just becomes a matter of getting that weight moving.   
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	My wife Victoria Harwood was art director on 'Far North,' and she had designed my student film, 'The Sheep Thief.'   
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	When the race is in deepest stress and faced with great problems, it will call upon someone like Christ. It will seek out and indeed from itself produce the very personalities necessary to give it the strength it needs.   
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	All God's plans have the mark of the cross on them, and all His plans have death to self in them.   
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	I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					