Albert Brooks Quotes
My audience has lots of people between 20 and 35, but there are always a few 60-year-olds, and it makes me happier than if everyone was 22.
Quotes to Explore
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There are a lot of things that I have not shared that I will never share. I do have a personal private life.
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Men whose sense of taste is destroyed by sickness, sometimes think honey sour. A diseased eye does not see many things which do exist, and notes many things which do not exist. The same thing frequently takes place with regard to the force of words, when the critic is inferior to the writer.
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I think talent makes me really attracted to someone more than anything.
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Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.
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I used to think I had ambition... but now I'm not so sure. It may have been only discontent. They're easily confused.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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I'm to a point now where you want to play for your fans and all that, but I'm playing for the guys in that huddle. I'm playing for the guys in that locker room.
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I love the color pink. It makes a bold statement.
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It's very little trouble for me to accommodate my fans, unless I'm actually taking a pee at the time.
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Happiness is nothing but temporary moments here and there - and I love those. But I would be bored out of my mind if I were happy all the time.
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I could probably name thousands of albums that I want.
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It's an unfortunate reality of life that toxins are constantly building up in our bodies.
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As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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I've been recognized very seldom. I think I just look different in person than I do as the character.
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In sailing, I single-hand, and I want to do the Horn. The Horn is the maximum expression of sailing, the way the Iditarod is the maximum expression of running dogs. It's not to write about it; it's to experience the maximum thing.
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Nothing is inevitable until it happens.
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The biggest way I stay motivated is to run with a group of friends. Sometimes it's hard to get going by yourself, but if you have a plan and a meeting time, you know this run will happen for sure. It's a way to have fun - while also getting in a workout. Plus it distracts from pain, helps you fight fatigue, and gives you that extra push.
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There are now college degrees in game design and interactive media, so if I were starting now, I would probably do that. When I started, you had to break into design from QA or programming or art, but it's really not true anymore.
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I just don't want to be hampered by my own limitations.
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What you hear mostly people gripe about adaptations is, 'They took out this scene,' or, 'They had to condense these characters.' I understand why they have to do that. But if you had a favorite character, and now they've been melded together with another one, it's disappointing.
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My audience has lots of people between 20 and 35, but there are always a few 60-year-olds, and it makes me happier than if everyone was 22.
