Albert Hammond, Jr. Quotes
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When you write songs, you're writing little bits here, little bits there.
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I don't know how to explain it, but when you're working on something constantly, and you're digging in deep, things kind of fall in, and you grab them, and you're like, 'That one!' and 'That thing!' and it starts to build something right.
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That's the purpose of creative stuff: when you really love what you do, you have to know at some point, or points, you're not going to be good at it. That's just the process of learning. I can edit it and try to be as perfect as I can, but I'm still going to have my vulnerable spots and my weaknesses.
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You watch movies and see bands you like and copy them and see what you can hold. I mean, it's all down to how you hold what you wear.
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Egon Schiele is my favorite painter. There's just something about art - photography, painting, music, plays - whatever you see, sometimes there's a gut reaction that's more important or more visceral than what your brain is thinking about. You can't explain that reaction. It's like what happens when you fall in love.
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After boarding school in Switzerland, at, like, 14 or 15, my life clicked, and I just realized, 'I don't want to be like anyone around me at my school. I don't think the world revolves around money.'
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I would like to leave the world a better place than when I entered it. I would hope that by the time I die I could have learned from the years of living and hand something down.
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If I have an audience, I'd like to make music for my whole life. But it's not really up to me.
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I've got my advanced scuba diving license. I'm playing tennis and exercising. I ride my bike everywhere. I've been finding new things. I've been more creative in music and doing different videos. And just meeting different people and being around and present. I'm wonderful when I'm just on nothing.
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Change isn't a scary thing. It's constant and inevitable.
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I feel like I can be a frontman; I feel like I have good songs.
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I was raised to respect women, and I really like them to be strong, independent, and have their own identity. My parents are still together, and I grew up with a lot of love, and I feel that kids imitate what they have at home.
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I feel like you listen your whole life, so when you are in the studio, your references are all the songs and music that you know. It just depends on where the songs are going and what attracts you at the moment.
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I've always had Paul Smith wallets for some reason.
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Two people happy with themselves can be exceptionally happy together.
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The Strokes, you bond when you're 18, and you're friends. The feeling's different. When all of us get into a room, we feel like the same people from before. We weren't anybody; we were just hanging out. It's hard to understand if you're not in a band. You're one-fifth.
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Rock and roll's relatively new, in the sense of the Fifties, Sixties, right? They invented the first sort of rock stars, and they took it to excess, and then the excess became bitter, tormented. Then it became okay to succeed.
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When people ask me for playlists, I always put in 'Moonlight Sonata' because it is my favorite song. I play it all the time.
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The way the press works, people don't like to review or talk about EPs. It's considered, 'Why don't you just wait for the record?' But for someone who's creating, and the audience, they can get material quicker. I almost feel like putting out a few songs every couple months might be better than putting out an album every year or two.
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I grew up with The Beatles, Bob Marley and Talking Heads. I like the melody-with-rhythm aspect of music - there's so much to discover still.
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When I'm not on the road, I try to intake about 300 grams of protein a day, which is a lot. I got really into how your body absorbs it and how you feel and how crazy it is when you intake that much food and actually feel better, your brain works better, and you actually lose weight even though you're eating more. It's so methodical.
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Guided By Voices was huge when I was 16. Then I got into the Beatles, then classical music, Beethoven.
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In terms of growing as a songwriter, I'm just a guy who understands the craft better. I understand what I want to do with it. I think that's where I've grown. Have I fully achieved that? No, but I don't think you ever do. There's always room to grow.
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There are different people who got me into music, but what I liked about Beethoven is that even when I didn't understand it or it was too long, there's still something about it that drove me to it. Then it got me excited about actually learning music, like a theory of it.