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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.
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One starts by seeing the person who poses, but little by little all the possible sculptures of him intervene... The more real a real vision of him disappears, the stranger his head becomes.
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Figures were never for me a compact mass but like a transparent construction.
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That's the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.
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Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago and others, distributed by Doubleday, 1965. p. 20
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Whores are the most honest girls. They present the bill right away. The others hang on and never let go.
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There was a third element in reality that concerned me: movement.