Alberto Korda Quotes
Forget the camera, forget the lens, forget all of that. With any four-dollar camera, you can capture the best picture.
Quotes to Explore
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Especially if you're endeavouring daily to write your own books, you read with a degree of - well, it's hard to forget you're a writer when you're reading.
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I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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Did you ever stop to think, and forget to start again?
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Forget it, Louis, no Civil War picture ever made a nickel.
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The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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I've wanted to do some sort of acting stuff down the line, but modeling is a good way to get comfortable in front of the camera.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
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I'd like very much to make a confident picture. I would like to be as good as nature, which, with a shower, produces flowers and grass to cover the destruction. But we are surrounded by human fragmentation, by pessimism, and it is difficult to talk of other things.
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I'll forget what day it is sometimes. I have to look in my calendar every once in a while.
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The world just does not fit conveniently into the format of a 35mm camera.
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The development of a political-economic framework to explore long-run institutional change occupied me during all of the 1980s and led to the publication of Institutions, Institutional Change and Economic Performance in 1990.
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There is a time for some things, and a time for all things; a time for great things, and a time for small things.
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My own doctrine of organization is that any body of people coming together for a purpose (whatever it may be) should consist of persons wholly wedded to said purpose and should consist of nobody else. If the purpose be Cannibalism (preference for Ham a la Capitalism) then nobody but a Cannibal should be admitted. There should be plenty of discussion and disagreement as to how and the means but none whatever as to ends.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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Forget the camera, forget the lens, forget all of that. With any four-dollar camera, you can capture the best picture.
