Alden Ehrenreich Quotes
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One of the beautiful things about being a part of 'Star Wars' is that it's one of those few things that are community-building in that way. Maybe that way of putting it is a little self-important. But it is something we all have a connection to, something everybody knows about. There aren't that many of those things.
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An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
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It's just cool to have lunch with Harrison Ford.
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I tend to be a bit of a hermit. A bit monkish. I like to tune out the context.
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It's funny: the reason I did 'Beautiful Creatures' was the same reason I did everything else - even though it was a genre film and existed at a more studio level, the script and the characters were so well written.
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My parents used to do these little film festivals in our house where we'd watch all the Marx Brothers movies, or Chaplin movies, and a lot of westerns.
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One thing that you kind of know about the 'Star Wars' universe, but that you learn in a much more impactful way as you get into it, is that living in that universe is hard.
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I was still auditioning when I was in college, but I wasn't really giving it the old college try. I was giving college the old college try.
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I just really want to continue to play those roles where I really have something to do, and mainly, above all, work with people that I can learn from - directors I think are so great.
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For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
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I listen to some really bad country.
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I've had that experience many, many, times - when you don't get roles. I'd developed a good muscle for shaking it off. I buy myself a present whenever I don't get a role that I really wanted. You get bummed out, and then you go, 'Oh! Now I get to go buy a present for myself.' That kind of helps.
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Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters.
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I find it remarkable. It's surreal for me that I've gotten to work with so many people who are not only great filmmakers but whose films have had such a direct effect on me.
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Even though I grew up in L.A., no one in my family was in the movie industry. I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
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I had a great high-school experience. I had a lot of friends that I'm still really good friends with, but there's always times where a group can't understand what the individual is experiencing, or you're going through something at home that you can't bring to school and have a total understanding among your peers.
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I think now I'm more realistic, but I'm still very much an idealist.
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My parents weren't involved in show business, but my parents would show me. We'd watch old films in the house. Little film festivals of Westerns and stuff like that when I was a kid. I knew I wanted to be those guys in those movies before I knew what being an actor was.
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I really don't know what it's like in 'Twilight,' but I know in the young-adult genre, there are these cold, aloof guys. If you start thinking that's the ideal guy when you're 13, by the time you're 25, you're going to have had some seriously bad relationships.
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Like, you think, 'Oh, it's 'Star Wars,' everybody has a spaceship' - but no, actually, in the 'Star Wars' universe, having a ship is like having a yacht.
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The aspect of kind of living in your imagination and creating a more romantic vision of the world than the reality that you're given - that's definitely something I can sort of relate to.
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When you watch a lot of movies as a kid, the stories do shape a little bit how you view the world.
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My feeling is that I don't really care about the genre or the size of the movie. I care about the quality of the writing and the quality of the characters.
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Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.