Alek Wek Quotes
Quotes to Explore
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To grow up knowing you're loved is astounding. It's a huge gift to a child.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
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You can't hold back. You can't think of the subtleties of playing. You just have to get out and really bare it all, and hopefully you don't fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.
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I want to do good stories, and I want to work with really interesting people. And if it's Noah Hawley forever, that's also amazing.
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There's not some idea I'm going to create a work that's going to change everybody's consciousness.
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When I think of influential females in hip-hop, my mind goes to Foxy Brown, hands down.
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You can't say somebody is a bust if they're making plays and running to the ball.
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A great burden was lifted from my shoulders the day I realized that no one owes me anything.
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After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
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When we do an investment, we always ask, 'Can we affect the outcome? When buying a company, can we have an impact?' That's a different style of investing than a passive investor in the stock market. To me, that's how you're taking the risk out of it. You know what your capability is and how you can enhance value.
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There is no birth of consciousness without pain.
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Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
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It was my father who taught us that an immigrant must work twice as hard as anybody else, that he must never give up.
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OK, I'm happy. I'm happy. All right? I'm happy.
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If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
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My style is boho chic. I love that time period - the patterns, the prints, the people, the music, the vibe.
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A lot of our music came out of a lot of weird psychology and weird emotions. When you play the whole body of work, you get tossed all over the place. It's not easy listening. It's not even comfortable to listen to.
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The whole cable-TV original programming just changed the nature of television.
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All of the characters I've had the chance to create are survivors. But we live in a world where surviving makes up most of what we do.
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Simple numbers of people of a particular age tell us nothing about the condition of their health, the environment in which they live, and the support systems they can afford to pay for.
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I'm from Chicago, I live in Chicago and I wanted very much for the music in Chicago to succeed.
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Many live to eat, instead of the other way around.
