Alek Wek Quotes
Quotes to Explore
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To grow up knowing you're loved is astounding. It's a huge gift to a child.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
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You can't hold back. You can't think of the subtleties of playing. You just have to get out and really bare it all, and hopefully you don't fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.
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I want to do good stories, and I want to work with really interesting people. And if it's Noah Hawley forever, that's also amazing.
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There's not some idea I'm going to create a work that's going to change everybody's consciousness.
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When I think of influential females in hip-hop, my mind goes to Foxy Brown, hands down.
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You can't say somebody is a bust if they're making plays and running to the ball.
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A great burden was lifted from my shoulders the day I realized that no one owes me anything.
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After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
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When we do an investment, we always ask, 'Can we affect the outcome? When buying a company, can we have an impact?' That's a different style of investing than a passive investor in the stock market. To me, that's how you're taking the risk out of it. You know what your capability is and how you can enhance value.
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There is no birth of consciousness without pain.
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Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
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It was my father who taught us that an immigrant must work twice as hard as anybody else, that he must never give up.
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OK, I'm happy. I'm happy. All right? I'm happy.
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My style is boho chic. I love that time period - the patterns, the prints, the people, the music, the vibe.
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I'm not the best audience for that because I'm not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.
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Sometimes we deny being worthy of praise, hoping to generate an argument we would be pleased to lose.
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I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.
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Statistically, Portland, Oregon has the most street kids, like kids that run away from home and live on the street. It's like a whole culture thing there. If you walk around on the streets, there are kids living on the streets, begging for money, but it's almost like a cool thing. They all just sit around and play music and squat.
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As a screenwriter, you always have frustrations. It's just the nature of the job, and you have to live with it. Your vision is not going to be the same as the director's vision. It doesn't mean one is better or worse; it means they're different.
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I live, like every real man, in my work.
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Many live to eat, instead of the other way around.
