Alex Garland Quotes
I think that screenwriting probably isn't seen as writing in the same way that novel-writing is seen as writing. But I certainly don't see it that way.
Quotes to Explore
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I've got plenty of quirks. I go to an office early in the morning. Early in the morning is really good writing time. I take anywhere between six to eight showers a day. I'm not exaggerating. I'm not a germaphobe: it's all about a fresh start.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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I've been writing fiction probably since I was about 6 years old, so it's something that is second nature to me now. I just sit down and start writing. I don't sit down and start writing and it comes out perfectly - it's a process.
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Writing about a person whose struggle you wish you could solve is an act of compassion and also, frankly, opportunism.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I have no interest in writing, directing or producing.
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The morning is always my best time of the day for writing because that's when my head is best.
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Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
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Writing is a form of licensed madness.
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After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
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Writing is a very lonely occupation. To write you need to concentrate, to concentrate you need to lock yourself away. No distractions; you want your stream of thought uninterrupted.
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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
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After all these years of cooking and writing recipes, I am still amazed every time I notice how even the minutest of variation in technique can make a spectacular difference.
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Storytelling is storytelling. Good stories need compelling characters and interesting conflicts. That's the bottom line no matter what medium you're writing for.
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One thing I've had to realize in my career is that I can't do it all. Sometimes we put a lot of pressure on ourselves to make sure we're writing the next hit. There are other people out there, and that's what they do every day, and they have strengths that I don't have.
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As much as we love each other, there is some growing difficulty in my adult relationship with my father. Because we're both writers, we're having a very intimate conversation in a very public forum.
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Of mediumship there are many grades, one of the simplest forms being the capacity to receive an impression or automatic writing, under peaceful conditions, in an ordinary state; but the whole subject is too large to be treated here.
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I am writing something which I find satisfying and which I am prepared to put my name to as a composer.
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From a writing point of view, you now have teams of screenwriters working with a director. What's lost in the process is the power of that one heart, brain, gut and soul that makes something an original piece of writing.
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Style consists in maintaining a convincing reality all through a piece. It's like wearing a garment that looks as if it might have been made for you even if it wasn't.
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The power of storytelling - of elevating the voices and examples of incredible leaders who have overcome odd after odd - remains absolute.
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You can measure opportunity with the same yardstick that measures the risk involved. They go together.
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I believe the calculation of the quantity of probability might be improved to a very useful and pleasant speculation, and applied to a great many events which are accidental, besides those of games; only these cases would be infinitely more confused, as depending on chances which the most part of men are ignorant of.
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I think that screenwriting probably isn't seen as writing in the same way that novel-writing is seen as writing. But I certainly don't see it that way.
