Leonardo da Vinci Quotes
Quotes to Explore
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You can always think that we're old and not innovative, but there is no company that can limp on for 139 years without being creative and having the genes to change.
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Practicing is not only playing your instrument, either by yourself or rehearsing with others - it also includes imagining yourself practicing. Your brain forms the same neural connections and muscle memory whether you are imagining the task or actually doing it.
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Predators make it much more difficult to find consensus. It's a lot easier to agree about birds and plants than about animals that endanger people and livestock.
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The Soviet Union, the socialist camp, the People's Republic of China, and North Korea helped us resist, with essential supplies and weapons, the implacable blockade of the United States, the most powerful empire ever to exist.
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I don't really read 'business books,' and I didn't think 'The Paradox of Choice' was a business book. I'm very surprised and gratified that the business world thought it was one.
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Those who insist on the dignity of their office show they have not deserved it.
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Literature is memory written down. All literature is memory.
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Some things are better than sex, and some are worse, but there's nothing exactly like it.
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Whether we or our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.
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You're trying to put yourself in that moment and trying to prepare yourself, to have a 'memory before the game. I don't know if you'd call it visualising or dreaming, but I've always done it, my whole life.
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Memory tempers prosperity, mitigates adversity, controls youth, and delights old age.
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The atom bomb is a paper tiger which the United States reactionaries use to scare people. It looks terrible, but in fact it isn't.
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The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
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Address these environmental issues and you will address every issue known to man. And we keep dabbling in things that aren't really that important in the long term.
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I think one of the primary themes in my work is the paradox of memory, at once fundamental to our sense of who we are and yet elusive, ever-changing, fragmentary. One way to look at this is to say that, therefore, we ourselves are elusive, ever-changing and fragmentary to ourselves.
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I can still memory - taste the fresh buttermilk pancakes and hot buttermilk biscuits - both made with lard! - that were cooked on the top, or in the oven, of that ancient iron stove.
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For me, clothing is nothing without the story behind it. Everything I own evokes some kind of memory.
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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
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To be a liar, you've got to have a great memory, and I don't have a memory.
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Do not believe in anything simply because you have heard it. But after observation and analysis, when you find that anything agrees with reason and is conducive to the good and benefit of one and all, then accept it and live up to it.
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My music is like a spinning ball. It can turn in one direction, and then it comes back to origins.
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The writer isn't made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.
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The memory of benefits is a frail defence against ingratitude.
