Alex Stamos Quotes
There's a big focus in the security industry on incredibly sophisticated attacks and on very sophisticated threat actors.
Quotes to Explore
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I like snakes. I like hummingbirds. There's nothing on earth I don't like. Frogs. Salamanders. The bunnies, the giraffes, the hippopotamuses.
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I try to live my life in a holistic way, show that all of it intersects because I'm coming from the same place. Now, at the core of it, I'm just trying to connect and be there, so I'm trying to be there for my family, my wife, my kids, my friends.
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I do most of my reading on the train ride to and from work. But I always have a book in my handbag so that I can read at any time, anywhere.
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The cultural decoding that many American writers require has become an even harder task in the age of globalisation. The experience they describe has grown more private; its essential background, the busy larger world, has receded.
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I think comedy is the perfect vehicle for that which is slightly beyond life.
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I wanted to see how flavors, spices, and grains traveled back and forth along the Silk Road and were interpreted by a multitude of cultures' palates.
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I tramped. When I was on the freight trains, I wasn't looking for work. I was looking to go from place to place without paying any money.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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A tendency to focus on art over business has meant that too many designers have failed to make the most of their critical acclaim.
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To be forced to defend oneself is an inherently undesirable position to be in. The focus shifts from ideas to the person conveying them.
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The relationship between violence and nonviolence in this country is interesting. The fact of the matter is, you know, people do respond to riots. The 1968 Housing Act was in large response to riots that broke out after Dr. Martin Luther King was killed. They cited these as an actual inspiration.
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It was treacherous. I think someone was injured. But I did love being there, we all did.
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I'll never get married again, and I always hate to say never to anything, but I will never marry again.
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An improv team would have eight guys and one woman; that was still pretty standard. If you were a woman improviser, it was actually kind of an advantage because, if you were halfway decent, you'd get a lot more stage time.
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I secretly wanted to act. I also wanted be a toy designer and make puppets.
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If I get married again, I want a guy there with a drum to do rimshots during the vows.
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I wish - I wish the peace and good for the Syrian citizen and the Syrian regime.
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That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
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You can make all the birth plans in the world, but at the end of the day - go with the flow.
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I can be by myself because I'm never lonely, I'm simply alone, living in my heavily populated solitude, a harum-scarum of infinity and eternity, and Infinity and Eternity seem to take a liking to the likes of me.
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I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
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There's a certain je ne sais quoi that Americans have in spades - a we-can-do-anything spirit that makes so many things possible for all of us. We're rugged individualists, aspirational in nature, and we like to think for ourselves.
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There's a big focus in the security industry on incredibly sophisticated attacks and on very sophisticated threat actors.
