Alexa Chung Quotes
Quotes to Explore
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.
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There is no question that photography has played a major role in the environmental movement.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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My interest in architecture has always been sculptural. Most of my photography is of architecture.
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I chose photography over writing. I had to make a living.
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I think that women can tend to look so feminine so easily. So it's interesting to see how we can look masculine and strong, too.
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The advent of the digital age and the immediacy and convenience of digital video and photography allows people to become an integral part of the feedback loop which actively shapes the content we are fed.
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Technology and industry have distanced people from nature and magic and human values.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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'T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.'
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Today, I am no longer concerned with photography as an art form. I believe it is potentially the best medium for explaining man to himself and his fellow man.
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My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.
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I look at the camera as sort of a missing link between motion picture photography and still photography.
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I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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I do believe strongly in photography and hope by following it intuitively that when the photographs are looked at they will touch the spirit in people.
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Altruism itself depends on a recognition of the reality of other persons, and on the equivalent capacity to regard oneself as merely one individual among many.
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When images are in black and white, they seem timeless. When you see Carrie Otis in an ad from 1989 next to an ad with Klara Wester from 2009, you don't see a 20-year difference between the pictures.
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There were internal critics, sharp critics, who were very opposed to [Malcolm X], and who were very - some of them were members of Elijah Mohammad's family, such as Herbert Mohammad, Raymond Shareef, who was the head of the Fruit of Islam, the brother-in-law of - the son-in-law of Elijah Mohammad. They isolated Malcolm X and kept him out of the newspaper of the organization Mohammad Speaks for over a year, which is kind of curious.
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Novelist and poet David Huddle is a quiet but fabulous writer, and he does adolescent longing better than anyone I know.
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I'm really interested in photography, like every other human being.