Alexa Chung Quotes
Quotes to Explore
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I have always loved and appreciated the Giants organization, my Giants teammates, and the fans of San Francisco.
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The characters are always the focal point of a book for me, whether I'm writing or reading. I may enjoy a book that has an intriguing mystery or a good plot, but to become one of my real favorites, it has to have great characters.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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We love those who know the worst of us and don't turn their faces away.
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I don't believe in miracles.
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I'm happy that I'm alive. I feel like someone coming back from Vietnam, you know; I'm sure that later on I'll start killing people in a square somewhere, but right now, I just feel happy to be alive.
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We haven't even begun to see just how many transactions are going to take place online.
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I still love physical product. I still hold out for actual CDs, because in radio, everyone just wants to send you a file to play.
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I regard sports first and foremost as entertainment, so dry documentary narration is not for me.
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I've been told by journalists that Facebook is upset anytime we're mentioned.
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I ask the rights to pursue happiness by having a voice in that government to which I am accountable.
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I have been lucky enough to have had the opportunity of travelling across this country and enduring all the classic situations that go with talking to people.
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England and Denmark have a sense of irony and a darker sense of humour that you don't necessarily find in Germany and Sweden.
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I'm pretty good at sticking to what I know. You don't see me social commentating on health-care or presidential debates. I talk about what I know because I'm petrified of being wrong.
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As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me.
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I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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The older I get, the more I'm prepared to do things for the money.
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I'd just like to be in films that I would like to see.
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There's only a handful of people I trust completely, and I know who they are. Other than that, I pretty much don't trust people.
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I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films.
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No flying machine will ever fly from New York to Paris.
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We don't necessarily always agree, but hopefully we make each other think, and that's what matters.
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It's not worth it, it's not about money, especially when you're dealing with a culture. It should be about elevating the idea of what we are and who we are as people in the cinema, and that kind of stuff keeps dragging us back down.
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You know you've become a brat when you have a room you like at the Bristol in Paris.
