Lesli Linka Glatter Quotes
Quotes to Explore
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The poem 'What Teachers Make' is not without its detractors. This one person wrote to me and said: 'Gee, Mr. Mali. You don't possibly have a teacher – God complex, do you?' And that was the first time I'd ever heard of that expression. So, yeah, I'm sure I have a teacher – God complex.
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Towering genius disdains a beaten path. It seeks regions hitherto unexplored.
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I realized that you didn't have to make self-deprecating remarks or turn yourself into the butt of some unspoken joke. I also discovered that being big didn't deter possible suitors.
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That crossover of whether it's entertainment or news is the biggest crock of b.s. in television today, because it's all entertainment.
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When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
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Language is the most extraordinary invention in the history of humanity, the one which came before everything and which makes it possible to share everything.
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Generally a chef's book is like a calling card or a portfolio to display their personal work.
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A boy doesn't have to go to war to be a hero; he can say he doesn't like pie when he sees there isn't enough to go around.
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Early impressions are like glimpses seen through the window by night when lightning is about.
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No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.
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I do feel that I need to do at least one more Western - I think you need to make three Westerns to call yourself a Western director.
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I do not make any apologies for my manner or personality. I come from a long line of very strong, black African-American women who neither bend nor bow. I haven't had very good modeling in submission.
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I knew that it was my only shot to be taken seriously in the recording industry, because it's fast and broad.
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When I was growing up in Pennsylvania, auditioning for Broadway was my dream.
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I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
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I wanted to weave a green thread through the Conservative party; that's my job, and I signed up imagining that I would be in a very small minority within my party, possibly even on my own, battling away on these issues.
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'Power Play' is a morality tale for our post-Enron world and - not incidentally - wildly entertaining. Nothing wrong with that.
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Through the wholesale destruction of the representatives of a class that from the beginning of history had been the directing and creative force in civilization, a process began which was almost mechanical.
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Love is the wild card of existence.
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I don't ever want anything to come in the way of me truthfully telling a story.
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Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.
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We save paradise by an intense education program where you get people that you can trust to talk sanely about the environment and hope that the message will get through.
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The very highest is barely known. Then comes that which people know and love, Then that which is feared, Then that which is despised. Who does not trust enough will not be trusted.
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Trust the material; trust the story that you're telling.
