Letitia Elizabeth Landon Quotes
Quotes to Explore
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I can find in my undergraduate classes, bright students who do not know that the stars rise and set at night, or even that the Sun is a star.
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I'm lucky enough to do what I like for work - not everyone's that fortunate.
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I really wanted to break the mold of what modern touring is right now.
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We have heard time and time again in the course of our work how talking can help heal the hidden challenges we can't deal with alone.
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I've always taken direction pretty well.
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I like doing stuff like, for instance, in the 'Leave the Night On' video, I had on a plain white T-shirt. I just wanted to do something to it to make it a little different, so I just cut a big strip out of the side, from the shirttail up to my armpit, and cut a big red strip out of another T-shirt and just sewed it in there.
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Every company has to identify what I call its strategic resources, and make sure that it grabs as much of its strategic resources as possible.
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One of my biggest flaws is I don't take advice.
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A coward is incapable of exhibiting love; it is the prerogative of the brave.
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It's weird to me when an artist comes in, and the label says, 'We want him to sound like Chris Brown,' but he says he wants to sound like Sean Paul. There's a huge disconnect – it's like we're making a product.
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The 1970s seemed particularly playful. People were trying to make work that couldn't be sold.
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I knew that if I wanted to be all I could be, I would have to go to the U.S. It took three years to get the accent right.
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To those many millions of you unfamiliar with my work, I play a caddish British doctor in practice with Mindy Kaling on her excellent sitcom 'The Mindy Project.'
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This is why fiction is an art, and life is not - how much more affecting is the lie than the truth.
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At this point we find ourselves confronted by a very disquieting question: Do we really wish to act upon our knowledge?
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One sometimes finds what one is not looking for.
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In the old days, before there was such a thing as film schools, directors learned the camera by watching other directors, and learning from their own dailies, and listening to the cameraman, and seeing what would work. Some of those guys could cut their movies in their head.
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The only thing the women were after was just the chance to help the world on. But some men were so dreadfully afraid of them that they refused to understand, and talked about 'shrieking sisterhoods' and 'disappointed spinsters' and rubbish of that sort.
