Alexandra Fuller Quotes
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That's the advantage of being a writer: No matter what happens, as long as you survive it, it goes into the work.
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Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.
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Oh, I don't keep a journal. How you remember an incident is dictated by your emotional state at the time. How you receive the information that is coming in is definitely based on your history and who you are.
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I have heard over and over again that the drilling business is a dangerous business, and death is an expected part of the game, but I've also heard of the way that safety violations, human and environmental laws, and a concern for the local culture are flaunted in pursuit of money.
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Yes, as an oppressed people, American Indians have this epic burden, but first and foremost, they're human: sometimes a mess, sometimes funny or sad, at times very wise, and other times not wise at all - a lot like me.
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I think that being raised the way I was, where everything was so uncompromising, where, you know, we're prepared to fight to the death for the soil that you believed belonged to you - that kind of extreme engagement is very difficult to flush out of your system - or your belief system, anyway.
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I listen mostly to classical music.
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I don't know if it's just my age or the climate or the high altitude or some of those old-cowboy values rubbing off on me, but I've grown slightly mellower living in Wyoming. I think if you ride into the West on a high horse, you pretty soon end up in a pile of manure.
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In southern and central Africa, tragedy roared at us, and we roared back. We shared dramas publicly, bled them on the corridors of hospitals, laid our corpses on the beds of neighbors, held our sorrows up in full light. We were volume ten about our madness and disorder, even if we were also resilient and enduring and tough.
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I look around and pay attention to what around me is not being talked about, and then I talk about it with as much humour and honesty as I can. All my books have been that way.
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There are real consequences when women speak out. It's really dangerous, and it takes real courage. We are still speaking out against a white male majority. Forget the glass ceiling. We haven't even broken the glass floor!
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I grew up in southern Africa but was born in England, so my family was afflicted with the stiff upper lip of the British. When coupled with the violence we saw as children, that can be a fatal combination. Fortunately, I have an outlet for trauma in my writing.
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I write and I read, and I write and read my way into and out of ideas and life. And that's what we do. That's what storytellers do.
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I'm unconventional and eccentric and talk things out, and it seemed that the person I married - maybe in reaction - got quieter and more conventional over time. It felt as if we were putting each other in a straitjacket.
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I did not know that for the things that unhorse you, for the things that wreck you, for the things that toy with your internal tide - against those things, there is no conventional guard.
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I think for writers, I think it's really important to court eviction from your tribe: to expose things and to wake people up. And so I think that that can feel like a violation to the people you love the most.
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There is a myth that writers get to choose their stories. You don't get to choose your story any more than you get to choose your children. You can make the decision to write, but beyond that, at the end of the day, it's going to come out how it's going to come out.
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I always knew mum loved me - tough, look-after-yourself love, as if she knew she wouldn't always be there.
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The memoirs that have come out of Africa are sometimes startlingly beautiful, often urgent, and essentially life-affirming, but they are all performances of courage and honesty.
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Retaining culture takes effort and persistence and discipline. It's a commitment, not a flag. You can't just pull it out and wave it about when it's convenient.
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I adore my family. I don't love their politics. I think they're wonderful parents. They were dreadful at parenting.
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I want to make words out of life. That's bigger than me. That's as big a creative force as - bigger than, for me, even having children. That felt more accidental - wonderful, but accidental.
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In Africa, we filled up all available time busily doing not much, and then we wasted the rest.
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It's probably cliche to say this, but in my experience, people are far more alike than they are dissimilar.