Lewis H. Lapham Quotes
When we talk about the foreign, the question becomes one of us versus them. But in the end, is one just the opposite side of the other?
Quotes to Explore
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It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.
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I want someone who will love me for the person I am and not because of my status. It has to be someone who understands the pressure of playing for India. It will be very difficult to be with a person who has her own career because someone has to make sacrifices for the family and house.
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Seek not the favor of the multitude; it is seldom got by honest and lawful means. But seek the testimony of few; and number not voices, but weigh them.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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I'm not the best at video games, but I play them a lot.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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The Honorable Elijah Muhammad says that we should be separate, all right, but in this separate state or separate existence, the black man should be given the opportunity and the incentive to do for himself what the white man has done for himself.
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Many of us will be obsessed with one or another kind of secret or revelation, be it gossip about friends or ourselves, a fantasy about spies, or a worry about the most personal information now stored in data banks. But few of us think about secrets in general, or about the moral rights and wrongs of hiding or exposing them.
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It should be no surprise that religion in the non-western world has failed to disappear under the juggernaut of industrial capitalism, or that liberal democracy finds its most dedicated saboteurs among the new middle classes.
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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The power chords in 'Come Sail Away' were super heavy to me as a kid. Metal? No. Hard rock? At times, for sure.
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The brunette phase just came about because I was fed up with this 'Blonde Angel Image'. The rebel in me demanded a new color.
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My normal life is like being on holiday.
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If I see a now-28-year-old woman coming up to me, she's probably thinking of 'Juno' because she watched it with her parents when she was 18 years old.
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As an artist, I want to interpret my feelings - not run across the street and ask what my mother thinks.
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When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
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Like a lot of people, I'm very, very concerned about Senator Clinton's record. I'm very, very concerned about where her positions were in the 1990s, when we had some of the most disgusting legislation in terms of our criminal justice, really, in this country's history.
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I will not promote other people's songs big time. I will just mention that I produced the song to get the credit I think I deserve.
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I just want to ask a question:Who really cares?To save a world in despairThere'll come a time, when the world won't be singin'Flowers won't grow, bells won't be ringin'Who really cares?Who's willing to try to save a worldThat's destined to die?
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'Regression testing'? What's that? If it compiles, it is good; if it boots up, it is perfect.
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I loved Don. There was no one like him.
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Culture is being threatened when all worldly objects and things, produced by the present or the past, are treated as mere functions for the life process of society, as though they are there only to fulfill some need, and for this functionalization it is almost irrelevant whether the needs in question are of a high or a low order.
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When we talk about the foreign, the question becomes one of us versus them. But in the end, is one just the opposite side of the other?
