Lewis H. Lapham Quotes
When we talk about the foreign, the question becomes one of us versus them. But in the end, is one just the opposite side of the other?
Quotes to Explore
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It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.
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I want someone who will love me for the person I am and not because of my status. It has to be someone who understands the pressure of playing for India. It will be very difficult to be with a person who has her own career because someone has to make sacrifices for the family and house.
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Seek not the favor of the multitude; it is seldom got by honest and lawful means. But seek the testimony of few; and number not voices, but weigh them.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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I'm not the best at video games, but I play them a lot.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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Notice the difference between what happens when a man says to himself, I have failed three times, and what happens when he says, I am a failure.
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The Honorable Elijah Muhammad says that we should be separate, all right, but in this separate state or separate existence, the black man should be given the opportunity and the incentive to do for himself what the white man has done for himself.
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Many of us will be obsessed with one or another kind of secret or revelation, be it gossip about friends or ourselves, a fantasy about spies, or a worry about the most personal information now stored in data banks. But few of us think about secrets in general, or about the moral rights and wrongs of hiding or exposing them.
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It is ingrained in all living creatures, first of all, to preserve their own safety, to guard against what is harmful, to strive for what is advantageous.
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It should be no surprise that religion in the non-western world has failed to disappear under the juggernaut of industrial capitalism, or that liberal democracy finds its most dedicated saboteurs among the new middle classes.
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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The power chords in 'Come Sail Away' were super heavy to me as a kid. Metal? No. Hard rock? At times, for sure.
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The brunette phase just came about because I was fed up with this 'Blonde Angel Image'. The rebel in me demanded a new color.
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My normal life is like being on holiday.
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High IQ individuals don't like surprises and are pessimistic, because it's logical.
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If I see a now-28-year-old woman coming up to me, she's probably thinking of 'Juno' because she watched it with her parents when she was 18 years old.
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As an artist, I want to interpret my feelings - not run across the street and ask what my mother thinks.
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When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
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I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.
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A book reaches a different crowd of people. There are 50 different stories of very different individuals participating in their communities either locally or nationally in meaningful ways.
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Painting' and 'religious experience' are the same thing. It is a question of the perpetual motion of a right idea.
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'You’re sure you want to look into these cognates? You might see things you wouldn’t like.''So long as I know the truth, I don’t care whether I like it or not.'
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When we talk about the foreign, the question becomes one of us versus them. But in the end, is one just the opposite side of the other?
