Lewis Mumford Quotes
The cycle of the machine is now coming to an end. Man has learned much in the hard discipline and the shrewd, unflinching grasp of practical possibilities that the machine has provided in the last three centuries: but we can no more continue to live in the world of the machine than we could live successfully on the barren surface of the moon.
Quotes to Explore
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I think that my parents' divorce gave me a very strong sense of self-reliance and independence. I realised that I needed to make sure I could support myself because you don't know what's going to happen in the future.
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
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If you can shrug off a loss, you can't be a winner.
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I love clothes but I have spent so much of my professional life creating an image of one kind or another that it is nice not to care about it in life and let your skin breathe.
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Even though I'm Hispanic, I'm so white.
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Kids are learning to play. That's why we're seeing an emergence. That's why we're seeing the Under-17s and Under-20s doing better in international football.
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I thought that communism, the tyranny of communism, was an abomination and I beseeched God to bring that terrible evil down and he did. It was a great triumph, it took awhile, but it happened.
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I'm not a babysitter.
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I can't stop people from writing imaginative stories about me entering politics.
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I'm the kind of person who'll have a few drinks and fall asleep at 11.
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The only instrument I can play is piano. Whenever I make songs at home, I play the piano and make them on the piano.
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It's not my style to judge anybody.
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I get a lot of people telling me that I'd make a good 'wacky neighbor.' I wouldn't mind that, if it was a starting-off point.
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Madonna and I are very different. Just saying. We're very different. I wouldn't make that comparison at all, and I don't mean to disrespect Madonna: she's a nice lady, and she's had a fantastic, huge career - biggest pop star of all time.
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Whenever I see the Hong Kong flag is flying in the sky, not because of anybody else, because of my efforts, I think it's the most proud time of my life.
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I never eat in a restaurant that's over a hundred feet off the ground and won't stand still.
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Josh Brolin is fascinating to watch because he is just so effortless. It's like watching a really gifted athlete run, and I just didn't have that.
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I have a strange relationship with influences because mine are mostly literary or painters or poets, who I'll even quote. I don't do tributes to cinema.
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I thought I knew who you were, but I see now you were a lesson to learn, and all I am to you now is a bridge that’s been burned.
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I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
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Dealing with poetry is a daunting task, simply because the reason one does it as an editor at all is because one is constantly coming to terms with one's own understanding of how to understand the world.
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The past is a stronger influence in the South. But I think everywhere you have this sense that the world changes faster than you can accommodate yourself to. Looking back and seeing how you got where you are is a useful way to combat disorientation.
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The cycle of the machine is now coming to an end. Man has learned much in the hard discipline and the shrewd, unflinching grasp of practical possibilities that the machine has provided in the last three centuries: but we can no more continue to live in the world of the machine than we could live successfully on the barren surface of the moon.
