Alfie Allen Quotes
Quotes to Explore
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I'm thinking of doing more theatre. It makes me very happy.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
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I think the paparazzi is a necessary evil... and if ya don't like it, and ya don't want to do this, go to Iowa and do some community theatre. It's all about self-promotion, and it's not always the fun part of it.
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I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
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There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.
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There's a tradition in British intellectual life of mocking any non-political force that gets involved in politics, especially within the sphere of the arts and the theatre.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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'Healing,' Papa would tell me, 'is not a science, but the intuitive art of wooing nature.'
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I didn't go to drama school to be a musical theatre performer. I enjoyed it, but I didn't go to do that; I went to be an actor.
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I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.
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I don't think it's fair to pinpoint Asia in terms of piracy. It's a worldwide problem. With 'The Expendables 3,' piracy extended everywhere, and over 10 percent of it was in the United States. So I don't want to put my hands over my eyes. It's a shame there is no DVD business in a lot of Asia, certainly China and India.
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If I know I am going out in the evening, I'll save my shower till I am about to get ready, so I'm pristine. I'm not one for moisturisers and toners; the furthest I go is shampoo and conditioner and a bit of hair gel.
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The democratic process is only as great as the people who participate in it.
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The radical otherness of birds is integral to their beauty and their value. They are always among us but never of us. Their indifference to us ought to serve as a chastening reminder that we're not the measure of all things.
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I've always wanted to get into theatre.
