Henry Paulson Quotes
Quotes to Explore
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If people want to really know what's up with me then they can read one of my interviews.
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On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.
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Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
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I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
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A noble purpose inspires sacrifice, stimulates innovation and encourages perseverance.
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I may be the only mother in America who knows exactly what their child is up to all the time.
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Growing up, there were no families on TV that looked like mine.
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I read a lot of comic books and any kind of thing I could find. One day, a teacher found me. She grabbed my comic book and tore it up. I was really upset, but then she brought in a pile of books from her own library. That was the best thing that ever happened to me.
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I grew up a Detroit Tigers fan, and now to be an owner of the Dodgers is amazing.
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We know that the nation that goes all-in on innovation today will own the global economy tomorrow. This is an edge America cannot surrender.
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The great apologist has to have lived large and wild. If he's going to kiss the world's boo-boos and make up, he'd better plant some bruises first. A master apologizer has to be a Lord Byron, a Rick in Casablanca, a Lee Atwater, anyway.
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I always tell young actors to have a back-up. You don't want to find yourself at the age of 30 still struggling to make a living out of acting.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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I was on a well-beaten path of actors - what we all call 'the Law and Order route'. I spent two years of auditioning for everything... and then 'The Wire' came up.
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To catch the ball, face up, look at all of my options and then pass. I was playing hot potato. I didn't want to be the guy to stall the triangle.
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I started to think about what drives innovation and what its social significance might be. The next step was to think innovators are taking a leap into the unknown. That led me to the thought that it is also a source of fun and employee engagement.
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On set I keep myself to myself; I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
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If you bet on Microsoft, you are not going to ask anymore, 'Hey, where is the innovation?' The challenge going forward is how do we keep up with it.
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Back when I was growing up, if I loved a song, I would record it off of the radio so I could hear them as many times as I wanted.
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One of my groupies gave me a film that they made, and it ended up being amazing, so I got it shown at South by Southwest. If I can help get their stuff out there, then great.
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'Magadheera' is a lovely film which can't be recreated.
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Most of my life, I've been on a film set. There isn't anything to learn, not learn, unlearn. It's just in me.
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I know how men in exile feed on dreams of hope.
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Regulation needs to catch up with innovation.
