Henry Rollins Quotes
More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
Quotes to Explore
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I like when a girl knows what she looks like and dresses to accentuate those features.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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I love to go shopping and see what catches my eye.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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I'm my own worst critic and I think everyone in the band is a perfectionist.
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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If it weren't for the rocks in its bed, the stream would have no song.
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I would love to be a guys' girl, but they always end up falling in love with me, so I'm a girls' girl instead. I've tried having friendly relationships with men, but it ends up being impossible, and I've been around the block too many times not to see it coming.
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It's like with a girl: it's more fun to meet and slowly, gradually learn things about each other. A little mystery is always nice and it's interesting to still learn new things about someone you are involved with.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
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'Aqualung' marks the point at which I had the confidence as a songwriter and as a guitar player to actually pick up and play the guitar and be at the forefront of the band. It's also the album on which I began to address religious issues in my music, and I think that happened simply because the time was right for it.
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Whatever makes an impression on the heart seems lovely in the eye.
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I don't want to have a song like 'My Humps' and it be sagging down, so I pay attention to that area. A lot.
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He was my North, my South, my East and West,My working week and my Sunday rest,My noon, my midnight, my talk, my song;I thought that love would last for ever: I was wrong.
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If America taught me anything, it's that quitting is right up there with pissing in the Girl Scouts' lemonade jar.
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I try to find little things that you can do to move the song along and things that serve the song.
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I've passed up on many a thing that could have made me a big artist or something. Like, I was offered a feature on a Christina Aguilera song and I turned it down. It just wasn't right. She's cool, but it just wasn't right.
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We're a rock n' roll band. We're more music and rock n' roll than politics.
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I spent a good amount of time with David Bowie, and I was talking about getting the band back together. He said, 'Does it make you uncomfortable?' I said 'Yeah,', and he said, 'Good. It should. You should be uncomfortable.'
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Take a deep breath, listen to your favorite song and realize everything is gonna be okay, nothing is permanent.
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It's called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn't realize what a rage I was in.
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I'd love my children no matter what.
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More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
