Henry Rollins Quotes
More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
Quotes to Explore
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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I like when a girl knows what she looks like and dresses to accentuate those features.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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I love to go shopping and see what catches my eye.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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I'm my own worst critic and I think everyone in the band is a perfectionist.
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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If it weren't for the rocks in its bed, the stream would have no song.
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I would love to be a guys' girl, but they always end up falling in love with me, so I'm a girls' girl instead. I've tried having friendly relationships with men, but it ends up being impossible, and I've been around the block too many times not to see it coming.
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It's like with a girl: it's more fun to meet and slowly, gradually learn things about each other. A little mystery is always nice and it's interesting to still learn new things about someone you are involved with.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
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'Aqualung' marks the point at which I had the confidence as a songwriter and as a guitar player to actually pick up and play the guitar and be at the forefront of the band. It's also the album on which I began to address religious issues in my music, and I think that happened simply because the time was right for it.
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Even when I was a little girl, I remember going to the Museum of Modern Art. I think my parents took me there once or twice. And what I really remember is the design collection.
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As a result, I had to get my own playground which was my band Colours. This band lasted for about eight years and then the air was out of it and it was time to finish.
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Whatever makes an impression on the heart seems lovely in the eye.
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I don't want to have a song like 'My Humps' and it be sagging down, so I pay attention to that area. A lot.
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And down the long and silent street,The dawn, with silver-sandalled feet,Crept like a frightened girl.
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He was my North, my South, my East and West,My working week and my Sunday rest,My noon, my midnight, my talk, my song;I thought that love would last for ever: I was wrong.
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You think that being a girl is degrading, but secretly, you'd love to know what it's like, wouldn't you?
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The eye of God! Think of that. Everywhere, in every house, in every field, in every room, in every company, alone or in a crowd, the eye of God is always upon you.
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It was when '21' came out. I was in Los Angeles and my face was everywhere: on buses, on posters, on the side of buildings. I didn't feel that blown away by it. I was still hungry to prove myself. I realised that quite quickly, that I had to find something that challenged me from an acting point of view.
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Great passions are incurable diseases.
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More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
