Henry Rollins Quotes
When you're holding people's attention, I feel you must give them high-quality ingredients. They deserve nothing but your best. And if they need information, get it, cross-check it, and try to be right. Do not waste their time; do not enjoy the ego trip of being onstage.
Quotes to Explore
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If you want to steal a base, steal a base. Don't make the hitter swing at a bad pitch trying to protect the runner.
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The Arab world also won the Nobel with me. I believe that international doors have opened, and that from now on, literate people will consider Arab literature also. We deserve that recognition.
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The defeat of Obamacare will come from the realization that the very idea of a government-administered health care system is absurd... and by people opting out of the system and developing workarounds.
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I have never been given to envy - save for the envy I feel toward those people who have the ability to make a marriage work and endure happily.
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There have been numerous tips and numerous people offering advice. I appreciate it because it all comes with good feelings from the heart. But some of it we'll apply, and some things we won't.
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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Most people don't understand that being in the public eye is emotionally exhausting. It takes a lot out of you.
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Traditionally with debut albums, labels insist on a face, so people know who you are.
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I sometimes joke, Paula, even paranoid people have enemies.
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Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
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Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
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And a tiny number of people in a few states make these decisions, and we're left with these options that are increasingly not attractive to the American people.
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My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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I've seen a couple white girls coming to my concerts wearing head wraps, and I think they look so cute. It's kind of sad to see that people are really into separation, trying to separate everybody and making a clear division of 'us against you,' even with fashion. That sucks. It's not the way the world is supposed to be.
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I don't necessarily want to make people stomp and clap. I simply want to engage people.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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I'm not one of those people who needs that gratification of doing, like, 10 films a year.
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I have a few childhood nicknames. One is 'Babygirl'. My father gave that to me when I was born. He said, 'I have a beautiful baby girl' and that one stuck with me. A lot of people still call me 'Babygirl'.
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My daughter's dabbling in showbiz, and she's done a few commercials. She's auditioned for some movies and shows, so I'm letting her pursue that. I'm OK with it.
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Near me nothing but distances.
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To inquire and to create; these are the grand centres around which all human pursuits revolve, or at least to these objects do they all more or less directly refer.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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When you're holding people's attention, I feel you must give them high-quality ingredients. They deserve nothing but your best. And if they need information, get it, cross-check it, and try to be right. Do not waste their time; do not enjoy the ego trip of being onstage.
