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Drama is all about the moment of ultimate conflict for a person.
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I'm not a media personality, I'm an actress. I want to protect that thing: the suspension of disbelief. The rest of it is just distraction.
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Giving up something personal to the public, you are surrendering something.
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It is difficult to love people; even when you do love them, it is difficult to know how - how to express it.
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For every movie that you go see, how many leading male roles are there in any given movie, and how many leading female roles are there? There may be 5 or 6 really good roles for guys and maybe one for a woman. And it doesn't even matter if you're 25. That's just the logistics.
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I like to do research. It gives me a sense of ownership. That's very powerful for me as an actor to just own it.
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I don't make decisions just on the character I'm supposed to play. Sometimes it's based on the director, sometimes it's based on the story, sometimes I need money, or sometimes I'm just starved to work.
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Crazy people are my people? Really? I think that's silly. That's another one of those pigeonhole things. Lay somebody on an ironing board and put a scalding hot iron on them, get that going real good: 'Oh, this is who Holly Hunter is.'
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Some actors say they don't know themselves at all, and that's why they act: because they can disappear into other people.
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With 'Broadcast News,' it became a non-issue, and with 'The Piano,' it became a non-issue. Both parts were written for more statuesque women. It was nice to change people's minds about that, because that's neither here nor there.
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I have never been an easy fit. I'm a leading lady character actor; I don't fit in one slot simply.
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I never thought about moving to L.A.; I always wanted to be in New York. I moved there, and now I still have a kind of love affair with the city.
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The rhythm of my career has always been very static, staccato and then silent, and then a lot of work, and then none.
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I've never directed, but it must be humbling.
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Each project, I can almost feel like I'm like a different person.
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I was born and raised on a farm, where boys had chores and girls did not, i.e., drive tractors, bale hay, take care of cattle.
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I heckled somebody at the U.S. Open once. And you know, tennis, it's not a good place for that.
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I don't offer advice to actors only because I've seen actors become successful through ways that would never even occur to me or that wouldn't work for me.
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Privacy is paradise.
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I moved to New York in 1980, and I met Beth Henley, who's a marvellous playwright and who I have a real personal and professional association with, in 1982. I met her in a stalled elevator - we were the only two people in there - and she's been one of my very dearest friends since.
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Sometimes you have to marinate instead of making a quick decision. I appreciate my instincts, but my instincts can be dead wrong. Circumspection can give you time.
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Minibars are very appealing, especially when someone else is paying.
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I believe that there is good. I believe there is evil. Do I believe that they come from God who is watching us conduct myriad never-ending wars and looks benignly on because there's higher purpose to all of this? I don't think so.
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It's a fantastic mirror to us to engage with art, to engage with paintings that are about tragedy, to go see Shakespearean comedies, to read a Greek play... We have always investigated the lightness and darkness of the human soul, in all these forms. So why not do it on television?