Holly Hunter Quotes
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The happiest person in the world has struggled. And none of us are perfect. And people can judge. There's so much judgment going on. And I just don't think that's what God's about.
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It's not like television is now for women who have been put out to pasture. Television is for everybody.
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Is there a higher energy? I would say yes, even if the energy is collective. Even if it's kind of Jungian, or the whole thing is collective consciousness, that may be God as far as I'm concerned. So is there an energy that's higher than mine? Yes.
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It's always been my way to move about a little more horizontally. My career has never been like a shooting star.
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I don't think it's wrong to make fun of some of the stuff that we think and we do.
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I got the Mr. Incredible mold - the 3D, you know - it's cool.
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I am often offered roles or women who are very strong, uncompromising. But it's fun to do 'Manglehorn,' where I'm playing somebody who's very open, very optimistic, very positive. I don't want to bore myself.
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The forcefulness of life is where vitality kind of intersects.
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The first and most important thing you need to be creative is to relax, particularly for the actors.
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Mothers and daughters can stay very connected during teenage years. In the middle of your life, you can become very alone. Even though you're connected deeply to other family members, lovers, husbands, friends.
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The unknown makes people uncomfortable.
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I love fiction, you know? I find it fascinating. So when film really does go into fictional places, that's the most exciting for me. And when the fiction is about the person rather than about the place, that's even more exciting.
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Actors do movies because you want to make a connection; you want an audience to recognise themselves in what it is that you're depicting.
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I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.
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I've never had a career of that kind of box office power. I've always learned the hard way.
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Feature films seem geared toward very large budgets, action, broad comedy. That seems to dominate all year where it used to be relegated to summer.
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I got a horror film, 'The Burning,' and suddenly I was making crazy money, like a thousand a week, so I moved into an apartment on Amsterdam with a guy who was also in 'The Burning,' Jason Alexander.
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My career has never really been a vertical kind of thing. I mean, it's always been a bit difficult for me.
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What's great about cable is that the ceiling of expectation is lowered because fewer people have to tune in for it to be a success. You don't need 23 million people a week like you do in broadcast.
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Sometimes I take a movie that I know is not great; it's not great on the page, but I need to work. Sometimes I need to make the money. I need dough. I want to work, and so I'll take something that is compromised in some arena. But it's like, actors gotta act.
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In my real life, I see people who are really enjoying their lives - I mean, really enjoying their lives - and they take joy in their daily obligations; they just do. And I believe that at a certain point, you've got to choose to be that way. You choose to approach your life that way. Or it's all kind of a drag until Friday.
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I'm not a media personality, I'm an actress. I want to protect that thing: the suspension of disbelief. The rest of it is just distraction.
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I don't make decisions just on the character I'm supposed to play. Sometimes it's based on the director, sometimes it's based on the story, sometimes I need money, or sometimes I'm just starved to work.
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New Yorkers have an intimacy with Trump, man. I mean, for decades.