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Sometimes you have to marinate instead of making a quick decision. I appreciate my instincts, but my instincts can be dead wrong. Circumspection can give you time.
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When the family gets together once a year in Georgia for New Year's Eve, we listen to music, all kinds of music. That's what we do.
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I heckled somebody at the U.S. Open once. And you know, tennis, it's not a good place for that.
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I don't offer advice to actors only because I've seen actors become successful through ways that would never even occur to me or that wouldn't work for me. But this has worked for me: Never memorizing a scene.
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The unknown makes people uncomfortable. And even living in a city that's as cosmopolitan as New York City is, there's so many things I don't know about other cultures, even though I encounter other cultures - maybe even 18 or 19 of them - when I get on a subway car every day.
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I found acting when I was 14, when I got cast in the chorus in a high school play, 'The Boyfriend.' In my high school, we did mainly musicals, so I just started doing nothing but musicals for years and loved it.
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'Top Of The Lake' is a great story with a beginning, and a middle and an end, about darkness - it's like the heart of darkness. And everybody has got one. When I was reading it, I couldn't put it down, and I wanted to know what was going to happen next.
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I would love to work more - I really would - but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat.
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There's no way that anyone can know the ebb and flow of one's career. You can't know that. You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it.
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A play is a hard thing, particularly in L.A. It's less expensive than in New York, but there's also less of a commitment to people doing plays than in New York. So it's a strange battle.
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It's a fantastic mirror to us to engage with art, to engage with paintings that are about tragedy, to go see Shakespearean comedies, to read a Greek play... We have always investigated the lightness and darkness of the human soul, in all these forms. So why not do it on television?
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What is God, and how do you believe in him - how do you not believe? It's a question the world continues to tussle with. People's beliefs get them in a lot of conflicts.
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People think I disappear sporadically, but I just do projects that don't get international acclaim.
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I've worked with a lot of female directors over the course of my career: Martha Coolidge, Catherine Hardwicke, Jodie Foster.
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I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent, to be able to play the piano professionally.
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Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
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I love wearing wigs because they're instantly transformational.
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Minibars are very appealing, especially when someone else is paying.
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To me, being creative is a very fragile thing. The environment in which one can create is a very particular one, and somehow, I've always felt the need to be very protective of that.
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I'm almost 60. I've been doing this for a while. In order to do this for that long, you have to make decisions based on lots and lots of different criteria, you know. I mean, the criteria has to shift, especially if you're an actress.
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The cool thing about those small-budget movies is that there's a tremendous amount of freedom the filmmakers have since there's less money at stake.
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You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it. It's a very difficult career in the long run, but at the same time, there's no long-haul career I'd rather be involved with.
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In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
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I'm not religious. I'm not an atheist. Would I say I'm an agnostic? Possibly. But I would say the collective unconscious is something I'm much more interested in.