Holly Hunter Quotes
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So much progress has been made with topics like mental illness and drug abuse and sexual identity.
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When the family gets together once a year in Georgia for New Year's Eve, we listen to music, all kinds of music. That's what we do.
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Sometimes you have to marinate instead of making a quick decision. I appreciate my instincts, but my instincts can be dead wrong. Circumspection can give you time.
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'Top Of The Lake' is a great story with a beginning, and a middle and an end, about darkness - it's like the heart of darkness. And everybody has got one. When I was reading it, I couldn't put it down, and I wanted to know what was going to happen next.
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I found acting when I was 14, when I got cast in the chorus in a high school play, 'The Boyfriend.' In my high school, we did mainly musicals, so I just started doing nothing but musicals for years and loved it.
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I think Ada in 'The Piano' is the most interior character I've ever had the chance to play, either on the stage or in anything I've done for film or TV.
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The unknown makes people uncomfortable. And even living in a city that's as cosmopolitan as New York City is, there's so many things I don't know about other cultures, even though I encounter other cultures - maybe even 18 or 19 of them - when I get on a subway car every day.
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I don't offer advice to actors only because I've seen actors become successful through ways that would never even occur to me or that wouldn't work for me. But this has worked for me: Never memorizing a scene.
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I moved to New York in 1980, and I met Beth Henley, who's a marvellous playwright and who I have a real personal and professional association with, in 1982. I met her in a stalled elevator - we were the only two people in there - and she's been one of my very dearest friends since.
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I would love to work more - I really would - but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat.
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People think I disappear sporadically, but I just do projects that don't get international acclaim.
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It's a fantastic mirror to us to engage with art, to engage with paintings that are about tragedy, to go see Shakespearean comedies, to read a Greek play... We have always investigated the lightness and darkness of the human soul, in all these forms. So why not do it on television?
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I've worked with a lot of female directors over the course of my career: Martha Coolidge, Catherine Hardwicke, Jodie Foster.
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A play is a hard thing, particularly in L.A. It's less expensive than in New York, but there's also less of a commitment to people doing plays than in New York. So it's a strange battle.
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I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent, to be able to play the piano professionally.
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There's no way that anyone can know the ebb and flow of one's career. You can't know that. You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it.
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What is God, and how do you believe in him - how do you not believe? It's a question the world continues to tussle with. People's beliefs get them in a lot of conflicts.
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Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
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I love wearing wigs because they're instantly transformational.
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There are, in terms of numbers, more leading roles for women in television than there are features. That's absolutely certain.
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I'm almost 60. I've been doing this for a while. In order to do this for that long, you have to make decisions based on lots and lots of different criteria, you know. I mean, the criteria has to shift, especially if you're an actress.
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I really would love to take a big break and not be photographed, not perform.
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In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
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I'm not religious. I'm not an atheist. Would I say I'm an agnostic? Possibly. But I would say the collective unconscious is something I'm much more interested in.