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I really would love to take a big break and not be photographed, not perform.
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I remember that when I was in my 30s, a hot age for an actress, lots of offers were coming in, but nothing was great, and I didn't work for 18 months. It was at a really fruitful age, and I wanted to work. There was nothing coming down the pipeline that I thought was good - and then I got 'The Piano.'
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I'm not religious. I'm not an atheist. Would I say I'm an agnostic? Possibly. But I would say the collective unconscious is something I'm much more interested in.
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The cool thing about those small-budget movies is that there's a tremendous amount of freedom the filmmakers have since there's less money at stake.
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You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it. It's a very difficult career in the long run, but at the same time, there's no long-haul career I'd rather be involved with.
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I'm almost 60. I've been doing this for a while. In order to do this for that long, you have to make decisions based on lots and lots of different criteria, you know. I mean, the criteria has to shift, especially if you're an actress.
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Man, I would have loved to have been fully cognisant of the power of Janis Joplin. I would have loved to have been part of the revolution.
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I think that 'Saving Grace' is pretty funny. I think that the show and the woman have a pretty great sense of humor.
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As an actor, I always like some tension, some distance, between me and the character I'm playing.
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People have always searched for answers. That's why we have religion; people have always been seeking some relief from their own mortality.
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I reveal all of myself. I bring all of myself to my roles. You only see me. You don't see anything else but me. That is who's there. They're manifestations of my own self.
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What does it mean to believe rather than to know? To surrender to something that's not fact but faith?
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Sometimes it's the lead, but there are not always leads out there, so then it's an interesting supporting character, or there's a lot of dough, although that happens less and less. Let's have a good laugh about that one.
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I object to the actual phrase 'Follow me.' You've gotta be kidding! Why would I want to follow anybody else? Nor do I want them to follow me. The machinations of my life, the banalities - they're mine. They belong to me.
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I love to look at physically beautiful people, and obviously others do, too. But there's such a narrow definition of what that is; the people who are my friends in life, the more I get to know them over the years, the more beautiful they are to me.
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I don't suffer the decisions the studio world makes.
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I don't believe in angels, and I'm not a religious person.
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Is there a higher energy? I would say yes, even if the energy is collective. Even if it's kind of Jungian, or the whole thing is collective consciousness, that may be God as far as I'm concerned. So is there an energy that's higher than mine? Yes. But would I claim it as God? I would say no.
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Good female parts are hard to come by, so I go all over the place to find them: cable TV, network movies of the week, foreign films, independent American films, studio films, the stage.
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With longevity comes, 'Nothing is going to kill me; I cannot irreparably damage my career.' Those days are over. The most I can sustain are fender benders.
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Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.
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After I did 'Broadcast News' and got an Academy Award nomination, the first thing I did was 'Roe vs. Wade' at NBC.
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Helen Mirren is, I think, one of the fascinating actresses. Period. She captivates people and has tremendous power and charisma because she has never cashed in on being an exquisite beauty, even though I think she is. I can't say I'm anything like her, but I hope something similar will happen with me.
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Being somebody who's like a theater geek that I am, I can just go right back to Aeschylus and Euripides and Sophocles: they were writing about gods and goddesses versus humans, and how gods could distort, pervert, or help people get what they want.