Algee Smith Quotes
The way black people feel, especially, is if you're going to tell a black story, let it come from a real place.
Quotes to Explore
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I feel like I grew up in the circus. I know planes, trains and automobiles. And really talented, weird people.
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I like to catch fish and release them. I probably haven't killed a fish that I've caught in sport fishing for 20 years. No reason to kill it. You know, just take it and release it.
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People are not wrong in observing Caste. In my view, what is wrong is their religion, which has inculcated this notion of Caste. If this is correct, then obviously the enemy, you must grapple with is not the people who observe Caste, but the Shastras which teach them this religion of Caste.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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In my flat in Chicago, I've got this big room with an office in the corner and a balcony so I can watch people go by.
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The people in your life are important. Meaningful relationships with those people are very important.
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I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.
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Despite a certain amount of rhetoric, such as 'the second American Revolution,' there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
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Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
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Personally, I believe in self-determination, but in the context of one South Africa - so that my self-determination is based in this region, and with my people.
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I love playing in Germany. I love playing anywhere where people are going to enjoy the music. Germany is especially nice to play.
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I found that being with happy positive people annoys me.
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I never wanted to be a public figure. I feel that I always have to dampen down people's expectations. They expect me to be an oracle, wave a magic wand, sprinkle some slow, sparkly dust on them, to make everything all right.
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I know a lot of people who say they want to leave Tulsa and go off to L.A. or New York City. But I can't wait to come back to Tulsa. It's a great place to be.
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Individual warrants every day are used to arrest dangerous people.
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People who wear fur smell like a wet dog if they're in the rain. And they look fat and gross.
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What use is it to endure the Dutch Rubs and Indian Rope Burns that are politics if you can't obtain mastery over people and give them noogies back?
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If the creative artist worries if he will still be free tomorrow, then he will not be free today.
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In fact I'd like to go back and live in Shakespeare's London.
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I gravitate towards happy music. I love the Beach Boys.
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The way black people feel, especially, is if you're going to tell a black story, let it come from a real place.
