Kyra Sedgwick Quotes
Whether it be in a small movie or a big movie, I would always be attracted to this role.
Quotes to Explore
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What we won't become is a 'Democratic Party lite!' We are a party that wants smaller government and lower taxes. Obama and the Democrats do not. We are a party that wants to encourage small business. We are a party that has a large constituent group that believes in a social agenda and we will not abandon them.
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My grandfather started a school for the underprivileged in Chandigarh, and that is why we moved from Himachal to Chandigarh. It was a small school, where even I would teach while in school.
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The percentage of actors employed is pretty small, and if you're lucky enough to have a good run at it, you do have a sense of responsibility.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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When I came to Congress, like our first panel, small business people, 64 percent of the people had health insurance. We'd buy it. Now, we're down to about 34 percent. That's why we have to do something on health care in this country because the cost is killing us.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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There are grander and more sublime landscapes - to me. There are more compelling cultures. But what appeals to me about central Montana is that the combination of landscape and lifestyle is the most compelling I've seen on this earth. Small mountain ranges and open prairie, and different weather, different light, all within a 360-degree view.
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People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
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I was very energetic and very small. I didn't start growing until the last year of high school.
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When we read stories of heroes, we identify with them. We take the journey with them. We see how the obstacles almost overcome them. We see how they grow as human beings or gain qualities or show great qualities of strength and courage and with them, we grow in some small way.
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My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.
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Many, many, many small moves of many kinds can bring a way to manage change. The theory can come later.
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I was 17 when I left the small Maine town where I'd grown up. I wanted to do something I thought was important with my life, so I headed to California and didn't look back.
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The last time I was on a small set would've been probably My Left Foot.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
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I come from a young, hip-hop, urban world.
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The beauty of it is when you can just show up and hit the notes.
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I did a forward roll for the kids the other day, thinking it'd be a breeze like it was when I was six, and I had to lie flat for about 20 minutes afterwards - 'Leave mummy alone; she's feeling a bit dizzy.'
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My first big break came with Lauryn Hill on a track called Everything is Everything, I played piano on that track way back in 1998.
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This conducting thing happened. In 1983 I was sucked into this international career, which was a very scary experience.
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Whether it be in a small movie or a big movie, I would always be attracted to this role.
