Libba Bray Quotes
My favorite word is 'redemption.' I like both its meaning and the sound. My least favorite word is 'maybe.' 'Maybe' is almost always a 'no' drawn out in cruel fashion.
Quotes to Explore
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To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year's Eve in San Francisco.
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In TV, you're always confused because you legitimately don't know what you're doing the next week.
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I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
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I like science fiction, I like fantasy, I like time travel, so I had this idea: What if you had a phone that could call into the past?
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I learn from Larry Ellison every day. I've said this before: how is it to work with someone who thinks out of the box? Larry doesn't see the walls at all; he does not see the box. He is an absolute, true visionary. And to be honest, I always find myself in a box! I'm comfy in my box. I've furnished it; it's lovely.
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I am a reluctant celebrity, in some ways.
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I've never had to pitch a movie to a studio. I usually just let people read the script, then I cast it. I always think pitching is for baseball.
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You need the audience to go on the ride with you. You can't just isolate them.
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These immigrants have come to our country and blatantly disregarded our laws. We cannot, we should not, reward that. No amnesty. No ability to vote. Get those borders secure, and then deal with that situation.
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You can be lonely when you have a guy living with you.
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The sovereignty of scriptures of all religions must come to an end if we want to have a united integrated modern India.
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I'm going to find solutions wherever I can. I think it's all a priority. You can't just say, 'OK, I'm going to work on this but not that.' You have to work on all of it.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
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When you start directing movies at the age of 24, you're just a kid; you don't necessarily even have the experiences to add to the story. You're working off of instinct and raw emotions and raw talent, and hopefully it's the same trajectory as growing as a person.
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When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
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I am a rereader. Quality is variety if you wait long enough. Barthes, Baudelaire, Benjamin, Celine, Duras, Faulkner, Fitzgerald, Melville: There is so much to revisit. 'Ingrid Caven,' by Jean-Jacques Schuhl, is always in rotation. I used to read 'Morvern Callar,' by Alan Warner, every year - I adored that book.
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I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.
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The story of our species is one of overcoming existential risk through new forms of cooperation and innovation.
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All the kids from my nursery school are still in touch.
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Until the last great war, a general expectation of material improvement was an idea peculiar to Western man. Now war and its aftermath have made economic and social progress a political imperative in every quarter of the globe.
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My favorite word is 'redemption.' I like both its meaning and the sound. My least favorite word is 'maybe.' 'Maybe' is almost always a 'no' drawn out in cruel fashion.
