Lidia Bastianich Quotes
Quotes to Explore
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In 2005, I had one more year of college left, and I was taking a summer class in Barbados. I got discovered in the airport on my way back and started modeling at the beginning of my senior year at Bucknell.
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Ah, sweet Content, where doth thine harbour hold.
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Secrecy is the first essential in affairs of state.
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You just have to enjoy what you're doing. You just never know how people are going to receive it.
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It's not about 'succeeding,' but sometimes on a film, you know you've captured something.
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Do you wish to be great? Then begin by being. Do you desire to construct a vast and lofty fabric? Think first about the foundations of humility. The higher your structure is to be, the deeper must be its foundation.
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In England especially, I've found that if you bring up King Edward VIII and Wallis Simpson at a dinner party or a social gathering, it's like throwing a Molotov cocktail into the room.
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I've learned to be more accepting of myself. I'm 37, not 18, and I've got the lines to prove it. I try to remind myself that a girl can have it all, just not all at once.
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The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.
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The kind of in-depth investigative journalism we practice at 'Frontline' is thoughtful, rigorous, and time-intensive. It requires us to constantly seek untold stories and to give our producers and reporters the time and resources to dig into them deeply.
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'What's My Line' 1971 was a magical experience as I was still in my teens, and it was my first appearance. You know how they say you never forget 'your first'!
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I picture my books as movies when I get stuck, and when I'm working on a new idea, the first thing I do is hit theaters to work out pacing and mood.
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I want the news delivered unbiased. I thought that was the whole point with journalism.
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Celebrity life and media culture are probably the most overbearing pop-cultural conditions that we as young people have to deal with, because it forces us to judge ourselves.
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It's always hard to break an independent picture from the pack.
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Kenzo were celebrating their 30th anniversary, and they did this big, huge show in Paris and invited back all the models who'd walked for them in the 30-year era. How I found myself in the mix, I'll never know.
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We've only explored about five percent of our ocean. There are great discoveries yet to be made down there, fantastic creatures representing millions of years of evolution and possibly bioactive compounds that could benefit us in ways that we can't even yet imagine.
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The interpretive element of 'Lost' - the fact that you immediately need, as soon as the episode is over, to seek out a community of people to express your own thoughts about it, understand what they thought about it and form an opinion - that's the bread and butter of the show.
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I find it easier to play someone who is so far from me because you create someone - you build this person based on the story and the script, with the director.
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You often have a great director who's like, "Well, actually I don't even want to reveal you until the end of this scene" or something like that and it totally changes everything that you thought it was going to be.
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Yes, I think it's okay to abandon the big, established, stuck tribe. It's okay to say to them, "You're not going where I need to go, and there's no way I'm going to persuade all of you to follow me. So rather than standing here watching the opportunities fade away, I'm heading off. I'm betting some of you, the best of you, will follow me.
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I love teaching.
