Alvin Lee Quotes
Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.
Quotes to Explore
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I learned during all my career to enjoy suffering.
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.
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Conscience is the inner voice that warns us that someone might be looking.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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If a queen bee were crossed with a Friesian bull, would not the land flow with milk and honey?
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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Boys wear their hearts on their sleeves. Even when they're trying to pull one over on you they're so transparent. Like men.
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My parents immigrated from Italy and spent 40 days and 40 stinking nights on a boat so we didn't have to eat things like gizzards.
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Try as you will, you cannot annihilate that eternal relic of the human heart, love.
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It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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I went to a girls' school, and it was awful. The combination of my teenage anger and their jealousy meant I was always getting into fights. There was a lot of pulling of hair and scratching of faces and rolling around on the floor.
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I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
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This is the first time in 10 years I don't know what I'm doing next, and I'm rather enjoying it. Soon I'll be climbing the walls no doubt, but right now, it's not clear, I'm just enjoying the freedom.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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I try to get over to Iraq and Afghanistan as much as I can.
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With 'Trainwreck,' because it wasn't live and we could do more takes, I feel like we broke a lot.
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Growing up, it was tough to balance, but looking back I appreciate my parents' efforts to make sure I was well-rounded.
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To ensure continuing prosperity in the global economy, nothing is more important than the development and application of knowledge and skills.
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You cannot always control what goes on outside. But you can always control what goes on inside.
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No one can control the aging process or the trajectory of illness.
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Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.
