Alycia Debnam-Carey Quotes
Quotes to Explore
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I believe Karl Marx could have subscribed to the Sermon on the Mount.
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When you love someone so much that you are in pain when you are apart it ends up being destructive. I never want to be in that place again.
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All wars, even the noblest, bring a reckoning of means and ends.
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I never desire to converse with a man who has written more than he has read.
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Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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I had a lot of time to think, and that is not good for your mind. And when it actually happened, it was not so much a celebration but the relief. It was an exorcism anxiety. After each race there is a procedure in which you get taken off to the podium and the TV interviews.
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I love bass, I really do. Bass is ace!
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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There are two sides to every question: my side and the wrong side.
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If I wasn't in fashion, I would have been a psychiatrist.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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I don't like it when a woman looks like a fashion victim.
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What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.
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I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
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I have a 'Mailer-Breslin and the 51st State' poster, and a neon-pink sign of Raoul's in SoHo, one of my favorite restaurants.
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When I got to law school, I didn't do very well. To put it mildly, I didn't do very well. I, in fact, graduated in the part of my law school class that made the top 90% possible.
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We try to guide with a light touch. Sometimes we can be helpful, and my goal with my team, both on the series side and on the film side, is that the collaboration should always be invited. In other words, we're not looking to impose our view on the filmmaker; we hire a storyteller because we love the story, and we love their ability to tell it.
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I've never had a job. I've never needed to.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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When I go to galleries in New York, I feel like I'm in school. I know that there's good contemporary conceptual art, but I have a really hard time caring about it. I'd rather look at images of people and things I can relate to. Then again, I didn't go to art school.
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I'm working on a proper rock record, a good, old-school rock record. Finally.
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I build community. However, I do it wearing a number of hats.
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Having no expectations is a really good thing.
