Alycia Debnam-Carey Quotes
The moment the world falls apart, you start forgetting history and wrongdoings in the past.
Quotes to Explore
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Law and order are the medicine of the body politic and when the body politic gets sick, medicine must be administered.
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I guess becoming an adult and learning how to survive on your own is exciting.
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When I was 5 and playing against 11-year-olds, who were bigger, stronger, faster, I just had to figure out a way to play with them.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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Getting pummelled is better than not playing anything at all.
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What really makes it fun for an actor is when the script is good.
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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Here's what I have at my advantage: I've never been a personality. I've always been a character actor.
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As a teenager you are at the last stage in your life when you will be happy to hear that the phone is for you.
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Initially, it would bother me when filmmakers, script writers, dialogue writers and choreographers tried to recreate a bit of my dad though me.
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Maybe some people that only listen to electronic music will pick up my record and get turned on to some of the story songs, some of the more country-type stuff.
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We are all here on earth to help others; what on earth the others are here for I don't know.
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An ordinary kitten will ask more questions than any five-year-old.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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All of my main characters have been under 30.
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You have to mind your Ps and Qs a little bit.
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In the Senate, you can become one of the nation's leading voices on the issues.
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But even writing the column for the 'Telegraph,' that idea of working to deadlines, which as an actor that's not something you have to do in the same way. It's excited me into wanting to do a bit more.
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See, I have no journalism in my background, so I wasn't practised at research or writing non-fiction, nor at handling the truth in a journalistic way. Journalists know when to call a halt and write something, but I kept on looking for answers.
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It took 35 years, but the time was well spent and I think I have established a good stake in the future.
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I always felt like I could be funny, but there was a part of me that always judged actors so harshly... I thought all actors were dumb-that they must have serious emotional problems. Even if they don't, that's the perception I had of them. I didn't want anyone to see me that way.
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I moved to Nashville to be a songwriter. I found out that was a job, that someone would pay you to sit in a room with a guitar and make up songs! It is the greatest job in the world. I wrote three or four songs a day. That's what I lived for.
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When the sommelier Enrico Bernardo moved to Paris from Italy nearly two decades ago, the world of French gastronomy brutally rejected him. No matter that he had won the competition for best sommelier in Italy; when he asked 30 restaurateurs for work in their wine cellars, all turned him down.
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The moment the world falls apart, you start forgetting history and wrongdoings in the past.
