Kyle Mooney Quotes
Quotes to Explore
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Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
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It's nature-nurture, right? I've been nurtured by Californians.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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Any competent actor could have done what I did.
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I'm always nervous when I start a new picture.
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The vote means nothing to women. We should be armed.
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I had a band with a girl in New York, and we would go around and do gigs. And then I happened to start getting work as an actress.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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Maybe I'm the kind of athlete who absorbs the atmosphere instead of trying to block it out.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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I can write best in the silence and solitude of the night, when everyone has retired.
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I love the Bronte sisters, but I feel a closer kinship to the Ephron sisters, Nora and Delia, if only because their work makes me laugh more than the Brontes. I also love the Mitford sisters with their secret language and their endless letters back and forth.
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I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
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You can't get there alone. People have to help you, and I do believe in karma. I believe in paybacks. You get people to help you by telling the truth, by being earnest.
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Some books leave us free and some books make us free.
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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In any human-rights campaign, everybody must do what they can.
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With competition everyone has to try harder.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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As a dancer running around the world, I always questioned whether that's what I wanted to do.
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Despite everything that's going on, people need love.
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I watch my films with my mum and other family members, you know. I also know there are thousands of women who watch my films. I don't want to set wrong examples.
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As I grew up, I was continually to suffer hardships in different realms of life - in my family, in my relationship to Japanese society and in my way of living at large in the latter half of the twentieth century.
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I still watch TGIF shows like 'Family Matters.'
