Alicia Keys (Alicia Augello Cook) Quotes
At the end of the day, so many things that we hold so much value with, it just doesn't even mean anything. I really try to stay focused on being really positive.
Quotes to Explore
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I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
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Fitzgerald was a modernist.
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I tested for a couple of pilots, but they said I was too tall.
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I am now writing a book called 'Far Enough,' very loosely based on my childhood. This is difficult because it forces me to remember people I loved who are gone.
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I don't understand what A grade commercial cinema is. If you are talking about box office success, mine are A+ then!
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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I think good companies can navigate being public and doing the right things for their customers.
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The Tea Party emerged from a laudably grassroots base: libertarians, fervent Constitutionalists, and ordinary people alarmed at the suppression of liberties, whether by George W. Bush or Barack Obama.
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I really hate to write.
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Living in New York, for me at least, just keeps it very real and keeps my feet firmly planted on the ground.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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In our league, it comes right down to the end.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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Caring about others, running the risk of feeling, and leaving an impact on people, brings happiness.
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Not one role that I've played has been written specifically for me.
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In fourth grade, I learned that reading was serious business, not just a pleasant way to pass the time, and that like medicine or engineering, it had a definite, valuable purpose: to foster 'comprehension.'
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
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When husbands and fathers leave, their wives and daughters tend to value themselves less as a result.
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Everyday people do everyday things but I can’t be one of them. I know you hear me now. We are a different kind. We can do anything.
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There is some humour in 'Family Values.' I don't want everyone to think it's not going to make them laugh. But there are quite a lot of poems there that aren't funny at all.
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Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.
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At the end of the day, so many things that we hold so much value with, it just doesn't even mean anything. I really try to stay focused on being really positive.
