Kyle Chandler Quotes
Quotes to Explore
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I was in a military family, so by the time I was 13 I'd lived in six different places.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
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Sofia Coppola is wonderful, and I'd love to work with her.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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Some things is made by destiny, yes, other things by hard work, but quality you don't learn. Quality you are born with.
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Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
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Work is both my living and my pleasure.
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My inspiration is love and history.
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One thing I didn't understand in life was that I had $100,000,000 in the bank and I couldn't buy happiness. I had everything: mansions, yachts, Ferraris, Lamborghinis, but I was depressed. I didn't know where I fitted in. But then I found family and friends and I learned the value of life.
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I really wanted to work and become independent.
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I missed my home - like the physicality of my home, I missed my friends and my family mostly and just hanging out and being in your home country - culturally it feels right and that is what I miss.
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And then in 1956 or 1957 my family went over to Europe and I moved over with them, and immediately people in Europe thought my perspective on that issue was 100% correct.
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I went through this delayed-adolescence thing. I didn't want to be tied down to a family.
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I think as a child you know when it's time for your parents to split. You realise they love each other, but they're not in love with each other. And I think as a child it's much better for your parents to split than for them to stay and have dysfunction within the family.
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The young artist... will discover out of ordinary things the meaning of ordinariness. He will not try to make them extraordinary. Only their real meaning will be stated.
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As a whole, I am interested in the symbolic, rather than the literal use of the camera.
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Because I was the first super-elite, the press caught on and started calling me a supermodel. So in that sense, I guess I'm the first. But, in my opinion, there were girls that could have been called supermodels before that, if the term was in existence.
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As we have always seen here in the U.S. the universal truth about elections is that people vote their pocketbook.
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I work six months and get three or four with the family.
