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	I was the suburban kid of Scottish parents, and the idea of an acting career was so beyond my experience. I didn't even know there were drama schools until a friend told me.   
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	That kind of creaming off the pretty postcard image of the past, I think, is a road to nowhere.   
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	I loved 'Homeland' - it's such an intriguing, intelligent piece of television, and I am fascinated by them making a hero and heroine that are so odd, so flawed and so complicated. It is a programme that really draws you in.   
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	Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.   
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	Deep down, I think I would be utterly miserable in Hollywood.   
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	I've always been a material-based actor. That's what I've done, the choices I've made - like a heat-seeking missile.   
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	I have done some wonderful television, but you know, there's not as much exceptional material as there is in the theatre. So I do a lot of theatre, but really, as with most actors, I just love going from one to another. It's stimulating, it's diverting, it's a different way of life, and you know, I dearly like a good mix.   
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	I've always had not just an affection but a real love for the theater family in New York, and I really feel it is a family. I'm so touched by the generosity of everyone there.   
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	I do feel almost violent when I'm watching things that I don't think are good enough. I get furious for the audience. I want to say to them, 'This play is not supposed to be like this. They've got it completely wrong. You should be electrified by this.'   
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	My mother was always deeply attracted to anything medical, and I think she would have loved me to have been a doctor. My father was in the army for 21 years, came out just before I was born. There was no history of showbusiness on either side of the family, but they were completely supportive.   
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	The excitement of stepping onto a stage - there's nothing quite like it.   
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	I don't have any desire to be better known.   
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	I suppose because I do and can work in the theatre, I don't see work as closing down as an older woman.   
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	My background is really being a writer's actor - that seems to be the way I work best, bringing out the best of writing. There's a whole range of acting skills, and some people can be astonishing with very poor material. That's not me; my skill is essentially unlocking the writing.   
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	I would rather give up acting than become world famous, because I think you pay a very high price. Writing and putting new plays out into the world has informed what I do, and I've had a lot more freedom to play really interesting parts.   
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	If someone said I had enough money and I could take six months off, I would run in an instant.   
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	No matter how much we disagree with people, demonising them doesn't get us anywhere; it merely indicates a closed mind.   
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	It's an important point to make that people can't just be invalidated, eradicated, because they don't fit tidily into a box. And more and more, the modern world is all about conformity.   
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	A certain amount of anger doesn't make us less empathetic, less humane, less loving. It just makes us real.   
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	You're not cast because you're like someone or because you're sympathetic to them. You're cast because you can act.   
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	I'm perfectly gregarious, but I can also be really happy left to my own devices with nobody watching me or listening to me.   
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	I have the highest regard for Meryl Streep as an actress and think she's a fabulous person as well.   
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	I desperately wanted to play the part of Darth Vader's mother - I think she ended up being played by a Scandinavian actress - because my son was completely crazy about 'Star Wars.'   
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	I don't perform well in private. Socially, I mean. And I didn't as a child. Actors aren't necessarily outgoing, are they?   
