Lynda Carter Quotes
Quotes to Explore
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When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
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I'm pretty much friendly and compassionate to everybody. But not to people in the ring.
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My legs are nice, my lips are shapely, and my breasts are pretty. They popped up when I was 11 and they weren't small then. I was teased, but now those kids wish they had what I have!
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The percentage of actors employed is pretty small, and if you're lucky enough to have a good run at it, you do have a sense of responsibility.
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When you're climbing at high altitudes, life can get pretty miserable.
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The emotions you see when you watch 'Narcos,' they're pretty much my emotions and the way I would react if I were there. It's not something you create; all of us have everything inside ourselves.
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I put myself out there; it's part of my job, and I get it: people will attack me. At first I was thrown off, but now I have a pretty thick skin about it.
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I think I've always had a 40-year-old body, and now that I'm actually there I'm like, 'Hey, pretty good, huh?'
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My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.
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I was pretty young, but because of that first record, 'Cole Espanol,' we took our first trip - well, my first trip - to Mexico.
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Libertarianism is a way of measuring how the government and other kinds of systems respect the individual. At the core of libertarianism is the idea that the individual is sacrosanct and that anything that's done contrary to the well-being of the individual needs some pretty serious justification.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I mean, we sit around and we go, you know, 'Torture doesn't work.' Well, it's been around for 5,000 years. Most stuff that doesn't work goes the way of the dodo pretty quick, like waterbeds and 8-tracks and things like that.
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I pretty much only wear Lilly Pulitzer ties because my best friend owns the company.
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I dated all these girls and ended up not liking them and thought to myself, 'What was it that all of them had in common?' They had too much time on their hands. Even though they were pretty, they lacked something. A woman could be less attractive but with ambition and drive, that's the most beautiful thing.
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Honestly, with me, as long as I have a park to play basketball in, I'm pretty cool.
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When a man looks across a street, sees a pretty girl, and waves at her, that's not a rendezvous, that's a passing acquaintance. When he walks across the street and nibbles on her ear, that's a rendezvous!
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I feel I have to protect myself against things. So I'm pretty careful to lose most of them.
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My mom gives me an allowance. She keeps me pretty tight-reined.
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I remember I went through a period where I didn't embrace my 'chocolatiness.' I don't know if that's a word, but I didn't embrace my chocolate lifestyle. Just being a chocolate, lovely brown skin girl and being proud of that.
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I want young people to know that they can belong - whatever your culture, your religion, your sexuality - that you can live life how you want to live it and feel comfortable how you are.
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My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job.
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I sold 'Time Life' books on the telephone. It's probably the only pure skill job I've ever had. When you're on and you're good, you get 'yes' after 'yes.' When you're slightly off, you get rejection after rejection. It was one of the greatest jobs I ever had. It was brutal.
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I just pretty much do what I want to do.
