Alison Mosshart Quotes
In the studio, you can always stop, rewind and do it again, but on stage, you can never do that - it's a different energy. It separates good bands from bad bands, being able to play, perform and really capture an audience. I think that's the hardest part.
Quotes to Explore
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I'm not a fan of any genre but am a fan of movies that are intelligent and/or funny. That goes across all genres: a horror movie, a zombie movie, alien invaders, chick flick, or raunchy comedy. If it's well done, I'm a fan.
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And so it was interesting for me to find myself very enamored of a Republican president, but Ronald Reagan was someone I thought captured the spirit of America.
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When one takes action for others, one's own suffering is transformed into the energy that can keep one moving forward; a light of hope illuminating a new tomorrow for oneself and others is kindled.
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I think people come and go, 'I'm going to find the real Gary. What is it... the real Gary? I've got to find it.' But the thing is, it's pretty much what you see is what you get. I'm just like this. There's no hidden viciousness.
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There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
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It's not possible to be perfect - you can always do something better. I'm never proud of what I've done. Sometimes, I'm not ashamed.
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Although some secrecy is odious, some is essential just to preserve our sense of self.
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Nothing says, 'I pay attention to detail!' like footwear flattery from a boy.
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After becoming deaf, I realized that I'd better get an education if I was ever to do anything with my life.
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The Olympics have their own unique atmosphere and energy. People might say it's just the same as any other competition, but don't kid yourself. There's a hunger for victory.
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Theatre is how I first encountered art on any level.
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Republicans have never been good at public relations.
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Your initial idea may or may not work, but you have to remember that a failed idea is nothing but a stepping stone to a bigger success.
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And we broadcast tapes sent to us from Americans against the war. These were most effective I believe.
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I was at 260 at Tennessee because I was playing three-technique.
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Aside from 'Hatchet II' and 'Hatchet III,' I've never repeated myself. I try to keep doing things that are totally different.
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I learned you can't trust the judgment of good friends.
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It's often out of my own insecurity. If I'm picky, it's for that reason. I want to be able to bring my best to the table. So if I'm not connecting to something, then I'm not gonna hold up my end of the bargain, and that's really embarrassing.
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Of course, a movie is in constant flux.
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I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
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God hears a mother's prayer.
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Different industries have different risks and growth rates and volatility.
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I find that a lot of the good acting comes out when you're physically being pushed: your brain turns off and just deals with the situation at hand. You get to a point where you're exhausted at the end of the day, but I quite like that.
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In the studio, you can always stop, rewind and do it again, but on stage, you can never do that - it's a different energy. It separates good bands from bad bands, being able to play, perform and really capture an audience. I think that's the hardest part.
