Alix Smith Quotes
I actually think that 'States of Union' will be a lifelong endeavor for me. It won't take up all my energy as it has in recent years, but I imagine that I will always continue to add to the body of work - the project of documentation will never be entirely complete.

Quotes to Explore
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Are we to paint what's on the face, what's inside the face, or what's behind it?
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I think that as you grow up, as you get older, we can't get bitter, we can't get jaded.
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And it's one thing to give people freedom and something else to deny the rights of Christians to assert their faith in order to keep Hindus from feeling upset.
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MTV didn't call. I guess I wasn't hip and groovy enough.
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I'm happy that all my films are different from one another.
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We had to get serious and hit all aspects. We had to graduate. That's what you got to do: reach all people across the nation.
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A man seldom thinks with more earnestness of anything than he does of his dinner.
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The use of solar energy has not been opened up because the oil industry does not own the sun.
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But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
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Going to hospital is rather like going to an alien planet.
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I don't think of reflection on dark things as necessarily dark.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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I was an umpire at little league softball games. I only lasted a few games because I wasn't one hundred percent clear on all the rules.
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I was in Nashville quite a bit when I shot 'Nashville,' and I was in Los Angeles when I shot in 'Supergirl'.
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There are far too many people in university in Britain. If you want to make money, be a plumber.
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People just can't wrap their heads around two young black women in a major production.
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My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.
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I don't relax very well, and I find it hard to sit still.
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I think if I heard someone else talking about their life, describing all the problems I've had, they'd look like they were through. Done. But there's something about me - I'm smiling. Those things are really not bad enough to put me in a slump. I'm smiling with the opportunity to wake up every morning.
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A house must be bedded in the landscape. They both have to work together. In and out, every view from a window has to be sensational. Every view into the house must be the same to ensure continuity.
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It is hard to consider women a 'discrete and insular minority', unable to employ the 'political processes ordinarily to be relied upon' when they constitute a majority of the electorate. And the suggestion that they are incapable of exerting that political power smacks of the same paternalism that the Court so roundly condemns.
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But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's very remote or it isn't. It's remote in my work but it has to have a certain degree of ordinariness.
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I actually think that 'States of Union' will be a lifelong endeavor for me. It won't take up all my energy as it has in recent years, but I imagine that I will always continue to add to the body of work - the project of documentation will never be entirely complete.