Allegra Huston Quotes
I, personally, have had to rise above my feelings of inferiority to my sister Anjelica, not to mention feeling sorry for myself because I lost my mother so young.
Quotes to Explore
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Feeling comfortable in my own skin has never been easy for me.
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When a woman has lost her chastity she will shrink from nothing.
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It sounds super cliche, but my sister is 12 years younger than me, and I remember when I was there holding her in my arms for the first time. And that kind of responsibility you feel when you hold a child in your arms.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
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My grandparents never understood why my mother Noreen chose such exotic names for her children: Damon and me. My granny insisted on calling my brother Dermot - a good Irish name - until she died; I was just known as 'wee one.'
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My mother was pragmatic, focused and extremely, exceedingly practical, and she was the ultimate self-determining person.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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You could take away the singing, and I am fine. But don't take away my gift of writing. It is the best way I can relate and express what I am feeling and what I am going through.
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But the good news was that my elder sister refused to get married straight away and I couldn't get married until she did so I had the licence to go off and dream.
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If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.
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A tree is known by its fruit; a man by his deeds. A good deed is never lost; he who sows courtesy reaps friendship, and he who plants kindness gathers love.
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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
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I have no interest in making a work that doesn't elicit a feeling.
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I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
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The day before the anniversary of D-Day, we lost a man who was equaled by few and surpassed by none as a leader in the cause of freedom: Ronald Reagan.
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My aunts told wonderful stories. Not to me, but to each other. We had a very strong family. My mother's sisters loved each other intensely. The uncles loved each other intensely.
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Being a novelist and being a mother have exactly coincided in my life: the call from my agent saying that I had a contract for my first novel - that was on my answering phone message when I got back from the hospital with my first child.
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I've been shooting the ball and running a little bit. It's just going out here now and forgetting that I've been out and try to get back in and make sure I know what's going on out there on the floor and that we're just not lost as a team.
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My mother is my biggest role model, and she showed me how to do it right. She was very present in our lives and has a great career of her own. Same with my father. So I knew it was possible going in to stay closely connected to my children while also chasing big dreams. And it's given me great perspective.
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There is a slovenly disrespect for truth and reality that has infected and cross-infected the arts; the values of entertainment are relentlessly in the ascendant, to the extent that it becomes virtually impossible to write a naturalistic fictional sentence without feeling that the fabric of that sentence is already compromised.
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I love that my friends are all freaks.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I, personally, have had to rise above my feelings of inferiority to my sister Anjelica, not to mention feeling sorry for myself because I lost my mother so young.
