Lynn Margulis Quotes
Identity is not an object; it is a process with addresses for all the different directions and dimensions in which it moves, and so it cannot so easily be fixed with a single number.
Quotes to Explore
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I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
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I've got quite a good poker face. I'm known for being able to keep my emotions very much in check: no one knows how I'm feeling. I can be winning or losing but keep it very much the same.
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You either make dust or eat dust.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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What gunpowder did for war the printing press has done for the mind.
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I had to learn to not be so hard. And I had a wife and, at that time, a partner when Samori was born, and for most of Samori's life, a partner, who, for whatever reason, did not have to learn that and was very tender and very, very soft with him.
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With 'Mad Men,' people who grew up or were living in that time, they love to talk about what it was really like.
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I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.
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Now, I don't know how they judge all that, but if anybody in the world deserves to be in the Rock And Roll Hall Of Fame, Ritchie Valens does.
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I use Graf Edmonton for boots and John Wilson blades.
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All kids are selfish. I wanted to do homework and do my thing and call my agent. My mother's needs weren't in my mind at that moment.
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The American people need to know the truth. The American people need to see the truth. In a democracy, letting the people know the truth is the essence of what it means to be free.
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I like the idea of growing old gracefully and full of wrinkles... like Audrey Hepburn.
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I think the reason I love 'Antiques Roadshow' is that it is sort of like the lottery. There's the chance a regular Joe could walk in with anything and come out close to a millionaire. There's the thrill of the find.
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Wherever there's an all-encompassing 'always,' 'all' or 'never' in your life, it's a sign that your mischievous subconscious is setting you up for failure by consistently leading you back toward these repeat performances.
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The affairs of this world are so shifting and depend on so many accidents, that it is hard to form any judgment concerning the future; nay, we see from experience that the forecasts even of the wise almost always turn out false.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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At the time, when you're being dissected and judged it's pretty brutal, but in hindsight it's great and - it sounds cliched - you do come out the other side better and stronger.
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Television is great but for me, as a performer, nothing compares to a live theatre show.
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It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
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Traveling all around the world, music sounds different.
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I used to think feminism was a liberating force - now I see many of those people are just censors under a different name.
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First, there was darkness, then came the Strangers.
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Identity is not an object; it is a process with addresses for all the different directions and dimensions in which it moves, and so it cannot so easily be fixed with a single number.
