Lynn Nottage Quotes
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It's incumbent on us to reach beyond the confines of the institutions that traditionally produce art and find new ways to get it to the people.
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Replace judgment with curiosity.
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I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze.
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All of my plays are about people who have been marginalized... erased from the public record.
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My interest in theatre and storytelling began in my mother's kitchen. It was a meeting place for my mother's large circle of friends.
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I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them.
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Silence is complicity. I believe that.
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I see procrastination and research as part of my artistic process.
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The theatre should reflect America as it's lived in today. And that is a multicultural America.
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I would like there to be gender equity. I would like the Broadway season to reflect sort of the demographic of the country.
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My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters.
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I am interested in people living in the margins of society, and I do have a mission to tell the stories of women of colour in particular. I feel we've been present throughout history, but our voices have been neglected.
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I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
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The great thing about 'Vera Stark' is that my research was watching movies, screwball comedies, so I could literally sit back and relax.
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American audiences very rarely deal with material outside their borders.
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It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway.
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There is an enduring feeling that women can write domestic dramas but don't have the muscularity or the vision to write state-of-the-nation narratives.
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Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson.
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In my family history, there are generations of women who were abandoned by men. It's one of the themes of my family.
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I know what I'm trying to say, so I'm always open to learning how to say it.
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Ultimately, we're incredibly resilient creatures. People really do get on with the business of living.
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By and large, the theatre establishment is run by a white majority.
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As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation.
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I need a release from whatever I'm writing.