Allison Pearson Quotes
It is customary for the writer to sneer that Hollywood has traduced their book. Well, I adore my film.
Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I've been quite fascinated by the relative insignificance of human existence, the shortness of life. We might as well be a letter in a word in a sentence on a page in a book in a library in a city in one country in this enormous universe! And that kind of fear and insignificance has kept me awake at night.
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One half who graduate from college never read another book.
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Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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It's easier to release an ebook than a print book.
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I've always been fascinated by the brain. I wrote a lot about brain-tech in my first non-fiction book, 'More Than Human.' So when I decided to write science fiction, that was the technology I gravitated towards.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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The issue of doing an adaptation of a book is the theater of the mind, and so you always face that.
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A subject which at first glance seems quite removed from the undeclared concern of the book can encapsulate that concern.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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Writing blurbs for books means you have to read the book, and it cuts into the business of bookselling. So every time I get a blurb from a bookseller, I try to write a thank you note.
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I was very clear that I wanted to keep 'Thor' out of the rest of the Marvel universe for no less than the first six issues. And the success of the book, I think, speaks well to that decision.
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I do, however, think it would be difficult to write books I don't like to read.
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Most films are rooted in a book or a comic strip, but I don't go out there saying I want to do adaptations.
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Fortunately, I've never been very conscious and inhibited of what I have to do. The camera's my soul mate.
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I cite in my book countless examples of the foundational documents of the colonial period in America and the writings of the leaders, that this was intended to be a Christian nation.
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For a very long time, I thought everyone I met through the process of getting an agent and a publishing deal had made a mistake. When they agreed to pay me for the book, I thought they would ask me for the money back.
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For something that's supposed to be secret, there is a lot of intelligence history. Every time I read one book, two more are published.
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There are a lot of parallels to the 'Sparkle' story and my story.
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When I was submitting my first novel, I had no idea that publishing scams existed. I never encountered any, but I could have - and knowing how easily I might have been taken advantage of makes me determined to protect others from falling into that trap.
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It is customary for the writer to sneer that Hollywood has traduced their book. Well, I adore my film.
