Lionel Shriver Quotes
Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
Quotes to Explore
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I don't know who took what. That is pretty private with an individual.
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I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
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I think the meaning of abortion is what the woman says it is: For a woman who wants a child but can't have this one, it can be sad; for a woman who doesn't want a baby, it can feel like a huge relief, like having your whole life given back to you.
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Most of my friends from college became dental hygienists or went into retail, a lot went into sales. They all started getting married and having kids and buying homes and I was still living like a college student.
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Ignorance of what real learning is, and a consequent suspicion of it; materialism, and a consequent intellectual laxity, both of these have done destructive work in the colleges.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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The game of life is a game of boomerangs. Our thoughts, deeds and words return to us sooner or later with astounding accuracy.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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I have been blessed with roles that allow me to express something very personal at a specific time in my life. I seek them out; acting is my therapy.
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I pretty much only wear Lilly Pulitzer ties because my best friend owns the company.
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Even though many couples are choosing to marry later in life, our laws haven't been updated to address dating partner abuse.
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Honestly, with me, as long as I have a park to play basketball in, I'm pretty cool.
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Our business in life is not to get ahead of others, but to get ahead of ourselves.
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I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.
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The dirty little secret is that I grew up in a household where there were no carbohydrates allowed, ever. No cookies, no bread, no potatoes, no rice. My mother was very extreme in terms of what she served. Since I left home more than 40 years ago, I've been making it right for myself.
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I think there is something for all of us where you find a balance in your life, where you feel that everything you do isn't about your own creature comforts or satisfying your own appetites. Some of it has to be directed outward and there is a huge satisfaction in that.
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Again and again we are confronted with the reality - some might say the problem - of sharing our space with other living things, be they dogs, trees, fish or penguins.
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Art awakens a sense of real by establishing an intimate relationship between our inner being and the universe at large, bringing us a consciousness of deep joy.
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I can not get over everything you did for me in that first day for his support to hang her works on the 7th Impressionist exhibition, Spring 1882, it seems to me that you are working yourself to death, and all on my account. This touches me deeply and vexes me at the same time.
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I have good voice inflection, that's why I'm good on radio. But on TV, I look too big because I move my hands around a lot.
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Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
