Tyne Daly Quotes
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I went into the family business. To me, it was the norm and not the exception.
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I never played the 'decoration,' I always played the one who suffered. And then I got very lucky in my middle career, when I started playing the hero, which at that point was quite rare for women.
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The art of acting is to pitch good. You do the pitching and hope that the other person catches the ball and does some good pitching back to you.
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I am pretty sure that all young human beings have, at one time or another in their growing-up, been actors. They have used their imaginations to carry them away from painful or confusing situations... have imagined themselves to be more powerful or beautiful or brave or loving than they are.
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Many more people saw me on TV than will ever get to see me on stage, but I do love being in the same room as the people I'm telling the story to.
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I don't take part in texting and those other things myself, so I don't really know if people put as much thought into messaging as they used to into writing letters.
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The director's job is full of all sorts of annoyances and details - like how many cars are on the street. Ugh. I don't want it. I like my gig. And I feel that for the next 30 years or so I can keep learning more about it.
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Both my parents were actors. I was schooled to think that acting was an important social service, that it was something that human beings need.
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I am a greedy actor in the sense that I like the big bites. Put a big fat steak in front of me, and I will eat it.
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You know, my hair is very upsetting to people, but it's upsetting on purpose. It is important to look old so that the young will not be afraid of dying. People don't like old women. We don't honor age in our society, and we certainly don't honor it in Hollywood.
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I'm not glamorous, I don't have a look, I don't know anything about opera, I have no Italian, and I'm too old.
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My job always is to play a person, not to judge her.
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There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Afterward, they would come back, and they were my parents again. It was magic.
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I think mothers get a raw deal in American culture, so I've been defending them. I have three daughters, and I know that as they become mothers, they got a lot more gentle towards me!
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Women are usually only interesting to studio executives when they are fecund, between the ages of 15 and 30. I decided to get through the really tough patch, around 50, by just cutting my price and playing ten years older. I didn't want to have to wait until I was an old lady to play one.
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Before 'Cagney and Lacey,' we didn't follow officers home to find out what they did when they took their badges off and emptied their guns. So the idea that these women also had lives outside of work was really interesting to play.
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My time on television began, and I started playing victims. I did about 10 or 12 years of them, which gets boring, right?
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Sweat makes good friendship cement.
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I think the 20s are a vastly overrated decade. We promise kids that once they get out of school, life will begin and their dreams will come true. But then comes the struggle.
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The first time I was nominated for an award for professional acting, I was in my mid-twenties. I was married and the mother of my first two daughters. I had been working for near to 15 years.
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When I got married, my marriage was illegal in 17 states because my husband had a different skin color than I did. And we saw those laws go down one at a time.
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I do games of solitaire when I get home to quiet my spirits.
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Love is as strict as acting. If you want to love somebody, stand there and do it. If you don't, don't. There are no other choices.
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I wish it was possible to do the work and not have to talk about it, but it is traditional in the theater to go into the village square and bang the drum and say, 'Come see this show, come see this show.'