Lisa Unger Quotes
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I love a big, character-rich story with a dark heart, with a compelling mystery or some kind of ticking clock at its center. I want to be lured in by prose, captured by character, and bound by stellar plotting to keep turning the pages.
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Even if someone is overcome with rage, it takes amazing arrogance to kill.
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I think that's the moment when we all grow up, when we stop blaming our parents for the messes we've made out of our lives and start owning the consequences of our actions.
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Isn't it funny how the people least impacted by tragedy are the most eager to move on?
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You [meaning mothers] said good-bye a little every day -- from the minute they left your body until they left your home.
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We can't hold on to anyone or anything, you know. We lose everything except that which we carry within us.
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And we stood like that. The joining of hands is highly underrated in the acts of intimacy. You kiss acquaintances or colleagues, casually to say hello or good-bye. You might even kiss a close friend chastely on the lips. You might quickly hug anyone you knew. You might even meet someone at a party, take him home and sleep with him, never to see him or hear from him again. But to join hands and stand holding each other that way, with the electricity of possibilities flowing between you? The tenderness of it, the promise of it, is only something you share with a few people in your life.
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It's a little known fact, but parents are like superheroes. With just a few magic words they can make you feel ten feet tall and bulletproof, they can slay the dragons of doubt and worry, they can make your problems disappear. But of course they can only do this as long as you're a child. When you've become an adult, become the master of your own universe, they're not as powerful as they once were. Maybe that's why so many of us take our time growing up.
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When you love someone, it doesn't really matter if they love you back or not. Having love in your heart for someone is its own reward. or punishment, depending on the circumstances.
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You can cut the ties that bind but not without losing a part of yourself. You can walk away and hide from the people who made you, but you'll always hear them calling your name.
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A child who's been injured by a parent waits her whole life for some acknowledgment of the wrong that's been done, some validation from him that her pain is real, that he's sorry and will make amends. The child will wait forever, unable to move forward, unable to forgive, without someone to acknowledge the past. In that powerlessness comes a terrible rage.
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There have been plenty of chances to close my eyes and go back to the sleep of my life as it was, but I hadn't taken any of them. Do I wish now that I had? It's hard to answer that question, as the wraiths move closer.
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The woman I was seems hopelessly naive. I envy her.
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Denial: my family heritage. If you don't ask the questions, the truth will never inconvenience you.
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It's strange how memory gets twisted and pulled like taffy in its retelling, how a single event can mean something different to everyone present.
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Anyone who used the word hip probably wasn't.
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It must be the ultimate punishment, don't you think, to finally gain wisdom, only to realize that the consequences of your actions are irrevocable?
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Once you've started down that road to self-discovery, no matter how treacherous the path before you, you can't turn back. The universe doesn't allow it.
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Hope is good. Without it, well, you do the math. But hope has to be like a prayer. Putting it out there to something more powerful than yourself.
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I'm a 'bound book' kind of girl. I have a Kindle, and I enjoy it for some things, like convenience or instant gratification, or all the little things that you can do with them.
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I definitely feel that plot flows from character. I don't believe that you can construct a plot and insert people into it.
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When you're young it's easy to confuse passion for love.
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Michael Koryta is that rare author who is at once a compelling story teller and a fantastic writer. From the first sentence of THOSE WHO WISH ME DEAD, you'll be under his spell. His characters are living, breathing people you'll care about; his setting is a place you'll visit and stay-long after you've decided to leave because you're scared. You can't leave; you're trapped. There are too many nerve-jangling, beautifully written, razor sharp moments and you won't want to miss a single one. This is an absolute sizzler.
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You cannot hope for change in others, you can only work toward it in yourself. And that's hard work.