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Michael Koryta is that rare author who is at once a compelling story teller and a fantastic writer. From the first sentence of THOSE WHO WISH ME DEAD, you'll be under his spell. His characters are living, breathing people you'll care about; his setting is a place you'll visit and stay-long after you've decided to leave because you're scared. You can't leave; you're trapped. There are too many nerve-jangling, beautifully written, razor sharp moments and you won't want to miss a single one. This is an absolute sizzler.
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I read 'Rebecca' when I was a teenager and was swept away by the powerful voice, the gut wrenching suspense and the dark, twisted love story at its center.
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I've always had this in a kind of worst-case dark imagination. I want to know what the dark form in the window is. I want to know what the noise under the staircase is.
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You cannot hope for change in others, you can only work toward it in yourself. And that's hard work.
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'In Cold Blood' is not a thriller at all, really. It is, however, the first work of its kind: a true crime book that reads like fiction.
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I live for the blank page.
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Of course, like all organic processes, there is an ebb and a flow to writing. One does not exist without the other. The writer needs to be vigilant in protecting both, confident in the knowledge that the village will be there when we choose, finally, to open the door.
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I don't remember a time when I didn't define myself as a writer.
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Maybe I have this fascination with the dark side because I live in the light. I don't have any dysfunction, and I've never experienced trauma.
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The universe conspires to reveal the truth and to make your path easy if you have the courage to follow the signs.
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Truman Capote was a magical, beautiful writer.
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There's a village in my computer - friends, fans, readers, and colleagues. It's a populous, sometimes chaotic little burg always bustling with news, gossip, opinions and potential excitement.
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Publishing is a business of relationships. The relationships you make at one house can carry over to another.
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I write for the same reason I read: to find out what's going to happen.
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I don't think of my characters as people I create, I think of them more as people I have met and whom I'm exploring on the page. I don't actually think of myself as having 'created' any of these people.
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Everything is autobiographical, and nothing is autobiographical. That's fiction.
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I love the village in my computer. There's little validation in the day-to-day life of a writer; sometimes we ache for a connection.
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The worst violence we can do to each other often is psychological, especially in families. I dwell a lot on domestic danger. That's the backdrop of most of my novels - what kind of damage is done without ever lifting a finger.
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Love accepts. Forgiveness comes in time.
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If I weren't a writer, I'd be a psychiatrist.