Yossi Sarid Quotes
Young people who have no future will easily give up their future, which they can't see on the horizon.
Quotes to Explore
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I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
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Five to six thousand people die every year waiting for organs, but nobody cares.
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It's a fact that kids watch TV. But if you think back, when you watched cowboy movies, you would go out and play cowboys. TV and movies motivate people.
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My people were homesteading in Colorado before Emancipation.
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The Midwest breeds funny, eccentric people, to varying degrees. You play shows not because you're expecting to get a record deal, but to do something fun outside of mowing lawns. Everything else is just gravy... Or mustard.
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I don't really have anything against Will Young or Gareth Gates.
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It is not true that people are naturally equal for no two people can be together for even a half an hour without one acquiring an evident superiority over the other.
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Don't ever forget that a small group of thoughtful people can change the world, it's the only thing that ever has.
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There are few things that we so unwillingly give up, even in advanced age, as the supposition that we still have the power of ingratiating ourselves with the fair sex.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
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Some people think that religion is not essential to society. I do not hold this view. I consider the foundation of religion to be essential to the life and practices of a society.
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I have laughter dates with myself, where I find comics on YouTube and watch them. Louis C.K. was my first laughter date a couple years ago. I'll also watch those videos of people doing idiotic things. That cracks me up.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I had learned of Gertrude Stein's bon mot that medicine opened all doors. This prompted me, in different moods, to view my future life as literary psychiatrist, globe-trotting tropical disease specialist, or academic internist.
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No one plans to get sick or hurt - I certainly didn't - but most people will need medical care at some point in their lives.
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Looking back, I've always enjoyed hearing about the lives of other people, their experience through their jobs, their lives, and their children. It's always been a treat to hear about others.
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Everybody either hates or loves John Cena; there's no medium. I feel like that I've accomplished something when I get people to cheer for John Cena. I feel like I've done something.
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I'm making black music. That's the only outline for me, really. That's the only boundary to stay with. It's soul music. I'm going all out in those terms.
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Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
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Barbour is a brand that I have grown up with and been associated with since I was living near the borders of Scotland.
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Working with BET always provides a reminder of why I began to do this work. It is essential that we have platforms where we can discuss our politics, our challenges, and our culture through our respective lenses.
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Young people who have no future will easily give up their future, which they can't see on the horizon.
